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Winter Moods, a cornerstone of Maltese rock, was formed in the mid-1980s and has since become one of the island's most revered bands. Over the past three decades, the group has produced five acclaimed albums and achieved record-breaking attendance at two monumental concerts, solidifying their place as a household name in Maltese music. Winter Moods emerged from humble beginnings, born out of jam sessions in a garage in Senglea during the cold, grey days of the mid-1980s. The band was founded by bassist Joseph Rizzo, guitarist Steve Caruana Smith and singer was Jesmond Attard, who was later replaced by a young Ivan Grech. The melancholic atmosphere of their early practice sessions inspired the name "Winter Moods," reflecting the mood they sought to convey through their music. Mark Doneo, the singer of Dream Valley, was asked to lead the band's emerging lineup after original vocalist Ivan Grech emigrated to Australia in 1987. This opportunity thrust Doneo into the spotlight, establishing him as one of the country's top rock singers. Unfortunately, the band faced a setback when they were invited to perform at an International Rock Festival organized by RAI TV but missed the opportunity due to a misunderstanding. This incident became a turning point for Doneo, who felt disillusioned and chose to leave the band in 1989 to pursue a solo career as a singer-songwriter. He went on to perform at various festivals and venues across the island, including Il-Festival tal-Kanzunetta Maltija and Il-Kanzunetta Maltija għall-Ewropa. Later, when Ivan returned to Malta, he resumed his role as the band's frontman. In their early years, Winter Moods were driven by a relentless passion for music, practicing tirelessly to carve out a space in Malta's vibrant yet competitive music scene. Their original compositions quickly gained a following, setting them apart from other local bands that came and went. The band's momentum began to build in the 1990s with the addition of keyboardist Etienne Robinich. Their first single, "Sarah," became an instant hit and remains one of their most beloved tracks. This success was followed by the release of their self-titled debut album, Winter Moods, in 1996. The album captured the band’s early influences and laid the groundwork for their future success. In 1997, guitarist Melvin Caruana joined the band, completing the lineup that would define Winter Moods’ sound. The turn of the millennium saw the release of their second album, Morning Ale (2000), which included hits like "Jamaica," "Ride," and "Everyday Song." The latter was later awarded the Best Song of All Time by the Bay Music Awards in 2005, a testament to its lasting impact on Maltese music. Winter Moods continued their ascent with the release of Butterfly House in 2003, featuring the hit single "Come To You." The album quickly topped local charts, reinforcing the band’s growing influence. Their fourth album, Ordinary Men (2006), marked a new peak in their career. Featuring the iconic track "Marigold," this album became their best-selling work and is often regarded as their magnum opus. However, the band faced changes during this period as guitarist Steve Caruana Smith and drummer James Vella departed. In 2009, Karl Fenech joined as the new drummer, completing the lineup that would take Winter Moods into their next chapter. The following year, they celebrated their 25th anniversary with the release of their fifth album, Argento (2010). To mark the occasion, Winter Moods held a monumental concert at The Granaries in Floriana on July 30, 2010, drawing over 10,000 fans—the largest crowd ever recorded for a Maltese band at a paying concert. This event broke their previous record set in 2008 when they performed in front of 7,500 people at the Valletta Waterfront. Winter Moods’ reputation extended beyond Malta, leading to performances at various international music festivals. In June 2000, they played at the Belfort Rock Festival in France, and in September 2002, they participated in the National Youth Rock Festival in Cyprus. By July 2003, they were invited to perform at the Hard Rock Café in Rome. Their success continued in 2004 when they won a competition on the German radio station WDR2, earning them a spot at the Ring Fest in Cologne, Germany. Throughout their career, Winter Moods shared the stage with global music icons, including Bryan Adams, Elton John, Roger Hodgson (formerly of Supertramp), Bob Geldof, and Deep Purple. A particularly memorable collaboration occurred when they performed alongside the SAS Band, featuring Queen’s Spike Edney, Paul Young, and Chris Thompson. Ivan Grech even had the opportunity to sing "Crazy Little Thing Called Love" with the band, a highlight in their storied career. Winter Moods also made their mark on the Isle of MTV Malta Special, performing alongside international stars like Maroon 5, Enrique Iglesias, and Akon. In 2007, they supported the CiaO’Scia concert in Malta, featuring Italian legends Claudio Baglioni, Gianni Morandi, and Riccardo Cocciante. Baglioni even joined Winter Moods on stage to sing their hit "Marigold," creating a historic moment in Maltese music. Over the years, Winter Moods have garnered numerous awards, including six Best Band titles at the Malta Music Awards (1997, 2001, 2003, 2007, 2008, 2010). Their iconic song "Marigold" won the Best Song award in 2007, and they received the same honor in 2010 for "My Neverland." Ivan Grech, the band's frontman, was recognized as Best Songwriter in 2007 and 2010. In 2008, Winter Moods received the prestigious Legends Award, marking the first time this honor was bestowed. The Bay Music Awards also recognized the band's significant contribution to Maltese music, awarding them the Icon Award in 2004. In 2005, they won Best Single of the Year for "Closer" and Best Single of All Time for "Everyday Song." Their dominance at the Bay Music Awards continued in 2007, when they took home awards for Best Band, Best Song ("Marigold"), and the Viewers' Choice. The legacy of Winter Moods was marked by a significant loss on October 9, 2012, with the passing of Steve Caruana Smith, one of the band’s founding members. Caruana Smith, who was instrumental in shaping the band's sound and success, passed away at the age of 51. His contributions to Winter Moods spanned two decades, during which he played on four albums— Winter Moods (1995), Morning Ale  (2000), Butterfly House  (2003), and Ordinary Men  (2006)—as well as two EPs, Fool For An Angel  (1998) and Closer (2005). He also performed with the band at major international venues, including in France, Germany, and Italy. In a heartfelt tribute, Winter Moods said, "Steve was a brother to us; he was one of a kind. He was an important part of Winter Moods' history, an icon to many, and loved by everyone who knew him. We will miss him, his music, and his humor. He may be far away, but he will forever remain close to us" Winter Moods' influence on Maltese music is profound and enduring. Their blend of heartfelt lyrics, melodic compositions, and compelling performances has resonated with audiences for decades. The band’s journey from a cold garage in Senglea to performing on international stages is a testament to their talent, dedication, and the strong connection they have with their fans In recent years, lead singer Ivan Grech has explored a solo career, releasing the single "Somebody Like You" in 2019, followed by "(Let’s Get) High On Love" in 2023. Despite these individual pursuits, the legacy of Winter Moods as a band remains unshakeable, their music continuing to inspire both new artists and long-time listeners in Malta and beyond. Bibliography Winter Moods . (n.d.). Winter Moods: Official Website . Retrieved from https://www.wintermoods.net/ . Times of Malta . (2012, October 10). Popular Bands Winter Moods Announced the Passing of Its Former Guitarist Steve Caruana Smith . Retrieved from Times of Malta . Bay Music Awards . (2005). Award for Best Single of All Time . Retrieved from Bay Music Awards Archive. M3P.com .

Released in 1998, Rockomotiv  was the crowning achievement of the Maltese hard rock band Blade, marking a pivotal moment in their 24-year journey. With a rich history rooted in the evolving Maltese music scene, Blade had risen from their early beginnings in Tigné, an area once synonymous with Malta’s thriving rock culture, to become one of the country’s most celebrated acts. Their debut album, Rockomotiv , not only showcased their musical prowess but also encapsulated the band’s resilience and evolution, earning them multiple accolades and cementing their place in Maltese rock history. From Passion Blade to Blade: A Shift in Identity Blade’s origins date back to the early 1980s when they first played under the name Passion Blade, initially known for their fast-paced speed and heavy metal sound. As the years progressed, however, the band began to shift toward a more refined hard rock style. By the mid-1990s, this musical transformation prompted the band to adopt the shorter and sharper name, Blade. This transition marked a new phase in their career, setting the stage for their eventual breakthrough album, Rockomotiv. During their early years as Passion Blade, they contributed original tracks like “Bang or Die,” “Violent Rage,” and “Passion Blade” to the Maltese metal scene, even appearing on notable compilations like Stepping Stones Part Two. These formative years helped solidify their presence on the island, leading to their eventual evolution as Blade, where they became known for their hard rock anthems. Blade’s Rise and the Making of Rockomotiv Blade quickly gained a reputation for their dynamic live performances, often headlining major concerts around the island. Their use of stage props and pyrotechnics brought something new to Maltese audiences, making their shows a must-see. However, as the Tigné music scene began to wane due to pressure on local bands to vacate their rehearsal spaces, Blade remained steadfast in their commitment to music. In fact, they were the last band to leave their rehearsal room in Tigné, a testament to their dedication. During this period, Blade’s lead guitarist, Toni Curmi, left Malta for a couple of years. Although they continued performing with a replacement guitarist, Toni’s eventual return rejuvenated the band, reuniting the original lineup. This comeback was marked by new creative energy, and within months, Blade recorded the track “Faith” for the Eruption compilation. Building on this momentum, they traveled to Blue World Studios in Germany to record their full-length debut album, Rockomotiv. Released under Storm Records, Rockomotiv was an instant success. The album not only resonated with fans but also earned Blade widespread recognition at the 1998 Malta Music Awards, where it won both Best Album and Best Cover. The album’s hard-hitting tracks, including "Burnout," "Breakin' the Ice," and the title track "Rockomotiv," demonstrated Blade’s ability to blend powerful riffs with melodic hooks, embodying the essence of 90s hard rock. International Success and Challenges The success of Rockomotiv opened doors for Blade on the international stage. In 1998, they performed at the FIMU Music Festival in France, playing two live dates in the festival’s Rock Arena. This marked a high point in their career, as Blade brought their Maltese hard rock sound to a wider European audience. However, despite this international recognition, Blade faced difficulties re-integrating into the local Maltese music scene upon their return. Coupled with issues over their rehearsal space, the band decided to take a break after this peak. Reformation and Evolution Despite the hiatus, the members of Blade remained close and eventually rekindled their passion for music. Years later, they reunited with new energy, welcoming Nox Scerri as their new keyboardist, which added a fresh dimension to their sound. Their style naturally evolved, but they stayed true to their hard rock roots. The band also expanded their lineup by recruiting a second guitarist, Matti Zammit, a promising young musician who contributed to Blade’s renewed sense of purpose. However, further changes came in 2009 when long-time vocalist Jez Saliba and bassist Dave Galea chose to part ways with the band. Their departure marked the end of an era, but their contributions to Blade’s legacy were undeniable. In their place, David Lowe stepped in as both the lead vocalist and bassist, continuing the band’s journey into a new chapter. Legacy of Rockomotiv Rockomotiv remains a landmark album in the history of Maltese rock music. Its fusion of hard rock energy with anthemic melodies resonated deeply with fans and critics alike, earning Blade their rightful place among Malta’s top rock bands. The album’s impact extended beyond the local scene, taking Blade to international stages and showing the world what Maltese rock was capable of. Tracks like "Head Over Heels," "Sandy," and "Love is Forever" continue to be celebrated as quintessential examples of Blade’s sound. Although Blade faced challenges and lineup changes over the years, Rockomotiv stands as a lasting testament to their creativity, resilience, and love for rock music. The band’s ability to evolve while staying true to their roots ensured their place in Maltese rock history, and Rockomotiv remains an iconic representation of their journey. Rockomotive Label: Storm Records– STM07 CD / Released: 1998 Track list: 1 Rockomotive 2 Burnout 3 Head Over Heels 4 Sandy 5 Live & Tell 6 Breakin' The Ice 7 Tears 8 In The Fire 9 Lost Souls 10 Back In The Hole 11 Love Is Forever 12 Straight Thru The Heart 13 Ain't Turnin' Back Bibliography M3P.com  – “Blade: Rockomotiv and the Band’s History.” Discogs.com  – “Blade – Rockomotive (1998 Album Details).” The Metal Archives  – “Passion Blade and the Stepping Stones Compilation.”

Strummin' Foundation Hosts Successful Voice Mastery Class & Launches 20th Anniversary Concert On September 20th, the Strummin' Foundation hosted a highly successful voice mastery class at MCVS Valletta, led by renowned vocal coach Pamela Bezzina. The workshop brought together 20 singers, ranging from beginners to experienced vocalists, to collaborate on a song and refine their performance skills. The atmosphere was charged with enthusiasm, marking the session as a notable achievement for the foundation. Strummin' Foundation has already begun planning future sessions to provide more opportunities for aspiring singers. In addition to the workshop, the foundation has announced the launch of ticket sales for the 20th edition of Strummin', an annual concert that has become a staple of the Maltese music scene. This year’s concert, titled "Strummin' 20 Years of Gold," will take place at St. Agatha's Auditorium in Rabat and promises a spectacular lineup of performances. All proceeds from the event will go to Dr Klown , a charity dedicated to supporting hospitalised children. Tickets are selling rapidly, and music lovers are encouraged to secure theirs soon. Founded in January 2019, the Strummin' Foundation focuses on musical outreach, aiming to empower young people by helping them develop their musical talents. The foundation promotes creativity through music, offers educational programs, and fosters collaboration among musicians. A key initiative of the organisation is the Strummin’ Concert, which brings together guitarists and musicians of all levels. The foundation also works to create learning resources for aspiring musicians and collaborates with organisations that support youth development. Strummin’ Foundation was co-founded by Lorleen Farrugia, Jacqueline Grech, Luke Grech, Jean Claude Vancell, and Gwyneth Zammit, and is a registered Voluntary Organisation (VO/1588) in Malta. Vortex Fest 2024: Three Days of Music, Nature, and Family Fun Vincent’s Eco Estate in Mgarr, Malta, is set to host Vortex Fest 2024 , a three-day festival running from November 1st to 3rd, 2024. This unique event promises an immersive experience with live bands , DJ sets , workshops , camping , and family-friendly activities, all nestled in the tranquil surroundings of nature. Event Highlights Attendees can expect a diverse lineup of performances from local and international artists, including Krejon , Taxi Vaders , Cushion , Colourblind , Memphis Mac , Earth Rocker , and many more. In addition, the TAFARAI Stage , hosted by Back to the Roots Sound System , will feature top talents like DJ Loco , Salted Dread , and a special collaboration with Island Rockers Sound System . Music isn’t the only attraction— Vortex Fest  will offer workshops suitable for all ages, covering a variety of creative and educational topics. Families can also look forward to the new Bayeasy Family Park , complete with adventurous activities such as parkour, horse riding, and archery. Tickets and Camping Ticket prices start at €20 for a single-day adult pass, while a full weekend experience, including camping and two exclusive morning events, is available for €60. Children under 12  can join the fun for just €10 per day or €20 for the weekend. Full ticket details and links to purchase can be found below: 1-Day Adult Pass:   €20 per day 3-Day Adult Pass (No Camping):   €45 for the weekend 3-Day Camping Pass (Free for Kids):   €60 including camping 1-Day Kid Pass:   €10 per day Weekend Kids Area Pass:   €20 per weekend For those seeking a more luxurious experience, glamping options  are available with spacious bell tents and exclusive morning events. Supporting Sustainability All profits from Vortex Fest 2024  will contribute to the creation of a Permaculture Garden and Food Forest  at Vincent’s Eco Estate. This project aims to manage water runoff, prevent soil erosion, and foster a natural space filled with fruit trees for the community. How to Get There The festival will take place at Vincent’s Eco Farm , Żebbieħ, Mgarr. For directions, click here: Vincent's Eco Estate Location . With a variety of entertainment, workshops, and activities for all ages, Vortex Fest 2024  is shaping up to be an unmissable event. Get your tickets early, and prepare for three unforgettable days in nature! Kuraġġ: A Concert of Hope to Benefit Malta Community Chest Fund line-up update MCCF is set to host Kuraġġ , a powerful concert inspired by the real-life stories of courage and resilience from patients of the Malta Community Chest Fund (MCCF) . This special event will take place on November 8th and 10th  at Teatru Salesjan  in Sliema, offering a night of inspiration, music, and solidarity in support of a worthy cause. A Stellar Line-Up Kuraġġ  boasts an impressive roster of some of Malta’s most beloved performers. Leading the line-up is the renowned Ira Losco , along with popular artists like Daniel Cauchi , Gianluca Bezzina , The New Victorians , and Pamela Bezzina . Rising star MARA  will also take the stage, backed by the dynamic sounds of the Big Band Brothers , adding a rich musical backdrop to the evening. This concert is more than just a musical showcase—it’s a celebration of human strength, inspired by the courage and determination of MCCF patients. Each performance will be a tribute to the resilience of those who have faced immense challenges. Limited Tickets Available Tickets for Kuraġġ  are limited, and demand is expected to be high. Those interested are encouraged to secure their seats soon. Tickets can be purchased through the following link: Get your tickets for Kuraġġ  here . Supporting a Worthy Cause All proceeds from the concert will go directly to the Malta Community Chest Fund , an organisation that provides vital support to individuals and families facing serious medical challenges. By attending Kuraġġ , concertgoers will not only enjoy an unforgettable evening of music but also contribute to the ongoing efforts of the MCCF to assist those in need. Don’t miss this opportunity to experience a night of hope and music while making a difference in the lives of others. Save the dates: November 8th and 10th  at Teatru Salesjan , Sliema.

Ira Losco, born on July 31, 1981, in Sliema, has carved a remarkable path in the music industry, becoming one of the most successful Maltese artists of all time. With a career spanning over two decades, Losco has achieved numerous milestones, including representing Malta twice at the Eurovision Song Contest and releasing six studio albums. Known for her versatility, powerful vocals, and magnetic stage presence, Losco has firmly established herself as a pop icon both in Malta and internationally. Early Life and Career Beginnings Ira Losco's passion for music was evident from a young age. She performed in school events and participated in several local Maltese festivals, showcasing her talent with songs in her native language. One of her earliest achievements was performing with the college band Tiara, where she honed her performance skills, releasing an EP titled Hi-Infidelity in 2001. Losco's breakthrough moment came when she won the Maltese national selection for the Eurovision Song Contest 2002, representing her country with the song "7th Wonder," written by Philip Vella and Gerard James Borg. Eurovision Journey and International Fame In 2002, Losco's participation in the Eurovision Song Contest in Tallinn, Estonia, proved to be a turning point in her career. Her performance of "7th Wonder" captivated audiences across Europe, earning her second place in the competition, just 12 points behind the winner, Latvia's Marie N. This was Malta's highest placement in the Eurovision at the time, and it catapulted Losco into the spotlight, gaining her widespread recognition and admiration. Losco returned to Eurovision in 2016, representing Malta again with the song "Walk on Water." In preparation for the contest, a revamped version of the original song was selected by an international jury, aiming to enhance Malta's chances of success. Losco's powerful performance in Stockholm, Sweden, saw her advance to the grand finale, where she ultimately placed 12th out of 26 competing countries. Her return to the Eurovision stage after 14 years solidified her status as one of Malta's premier musical talents. Musical Success and Awards In addition to her Eurovision appearances, Ira Losco has enjoyed a prolific music career, releasing six studio albums that showcase her range as a singer and songwriter. Her debut album, Someone Else, was released in 2004 and included hit singles like "Love Me or Hate Me" and "Say Hey." This album marked the beginning of a series of chart-topping releases, including Accident Prone (2005), Unmasked (2006), Fortune Teller (2008), and The Fire (2013). Losco's albums have consistently dominated the Maltese music charts, with singles like "What I'd Give" and "Me Luv U Long Time" becoming fan favourites. Throughout her career, Losco has won over 20 prestigious music awards, both locally and internationally. In 2008, she was awarded the Midalja għall-Qadi tar-Repubblika (Medal for Service to the Republic) in recognition of her contributions to Maltese culture and music. She has also received multiple accolades at the Bay Music Awards and Malta Music Awards, including Best Solo Artist, Best Female Artist, and Best Album. X Factor Malta and Mentorship In 2018, Ira Losco expanded her influence in the Maltese music scene by becoming a judge on the inaugural season of X Factor Malta. Her role on the show allowed her to mentor aspiring artists, sharing her industry knowledge, and helping to shape the next generation of Maltese talent. Losco returned as a judge in next three editions, further solidifying her reputation as a respected figure in the local music industry. Performances with International Stars Losco's career has not been confined to Malta. She has performed in over 15 countries, appearing in front of audiences ranging from 1,000 to 80,000 people. Her international acclaim has led her to share the stage with renowned global artists, including Elton John, Katie Melua, Maroon 5, and many more. Her live performances, whether on grand stages like the Isle of MTV or intimate concerts, have earned her a reputation as an electrifying performer with a strong connection to her audience. Personal Life and Social Advocacy Beyond her musical career, Ira Losco has been an advocate for various social causes in Malta, particularly in support of LGBTQ+ rights and anti-bullying campaigns. Her public endorsement of equality and acceptance has made her a prominent voice in Malta's progressive social movements. In 2016, during her Eurovision participation, she organised an LGBTQ-friendly party in Stockholm, further demonstrating her commitment to inclusivity.   Losco's personal life has also garnered public attention. In 2016, she and her partner, chef Sean Gravina, welcomed their first child, a son named Harry. The couple married in December 2019, and in 2020, they announced the birth of their daughter, Gigi. Discography and Legacy Ira Losco's extensive discography includes hits that span a wide range of genres, from pop and rock to ballads and dance music. Her ability to reinvent herself musically while maintaining a connection with her fans has been a key factor in her enduring success. Some of her most memorable singles include "Everyday," "Driving One of Your Cars," "Chameleon," and "Walk on Water."   Her albums have consistently topped the charts, with Fortune Teller (2008) producing several number one singles, including "Something to Talk About" and "Idle Motion." Losco's 2018 double album, No Sinner No Saint, commemorated her 15 years in the music industry and showcased her evolution as an artist. Ira Losco's career is a testament to her talent, determination, and ability to break barriers in the Maltese and international music scenes. From her Eurovision success to her role as a mentor on X Factor Malta, Losco continues to inspire both established artists and emerging talents. With a career full of achievements, awards, and memorable performances, she remains one of Malta's most beloved and successful musicians. photos: Ira Losco - https://www.facebook.com/iraloscofanpage

Melodija.eu Radio Shows Impacted by Internet Archive DDoS Attack The Internet Archive, a vital resource for digital preservation, was brought down on Thursday in a distributed denial-of-service (DDoS) attack, leaving millions of users without access to its vast collection of free books, movies, audio files, and web page archives. The attack, which targeted the non-profit library, has caused significant disruption, including to melodija.eu , which stores and distributes all its radio shows through the platform. In a series of updates, Internet Archive founder Brewster Kahle reassured users that the attack did not corrupt any data. On Friday, October 11th, Kahle posted on bsky.app , stating, “@internetarchive’s data has not been corrupted. Services are currently stopped to upgrade internal systems.” He further expressed his apologies for the disruption, emphasizing that the technical team was working hard to restore services "as quickly and safely as possible." The following day, Kahle provided additional information, confirming that while the data remains safe, the team continues to examine and strengthen the platform’s internal systems. He estimated that services will be back online in a matter of days, not weeks. "The data is safe. Services are offline as we examine and strengthen them. Sorry, but needed. @internetarchive staff is working hard. Estimated Timeline: days, not weeks," Kahle wrote on Saturday, October 12th. Melodija.eu , which relies on the Internet Archive to store its weekly radio shows, was hit hard by the outage. The shows affected include Rock Moods  and Heatstrokes  presented by Noel Mifsud, Reverb  hosted by Tonio Pace, Xejn Ħlief Rock  presented by Maurice Cachia, and Whispering Mo’s Sound Garden  by Maurice Cachia. In a note to its listeners, melodija.eu acknowledged the disruption, stating, “This hack has disrupted the uploading of new radio shows and listening to the ones already uploaded. Please bear with us during this delay, but we can assure you that we’ll do our utmost to upload all the shows in due time, and when the archives are back to normality." As the Internet Archive team continues to resolve the issue, melodija.eu is committed to keeping its audience informed and ensuring that all radio shows will be restored as soon as the services are back online. Listeners are encouraged to stay tuned for updates as the Internet Archive works to recover from the attack.

Interview with Rene ‘Hades’ Farrugia carried out by Keith Muscat For over twenty years, Rene Hades Farrugia, has strived to reshape the Maltese metal and alternative scene by events created through Hades Events.  Not everything seems to be running smoothly in the underworld, so we took it upon us to pay the ferryman and make our journey to Hades and see what’s bubbling in the cauldron.   This month you announced that Halloween Massacre – The Unholy Final Chapter, taking place at The Garage on November 2nd, 2024 will bring down the curtain on Hades Events involvement with the local metal scene after an endurance sprint of twenty years.  Do you care to share your thoughts on what led to you taking this decision? Yes, this is the last Halloween Massacre event and also the last metal event as Hades Events. It was a hard decision to take, but it was time for me to step aside. Everyone crying for support and not to clash, but then sometimes they are the ones not to do so and maybe I’m reaching a certain age where prioritizing has become important to me. Re Halloween while The Halloween Massacre will come to an end (We accomplished the mission to see Halloween now well established in Malta), another new project will start next year in the same period of the year – Malta Pagana. Apart from Hades Events you are also winding down Hades Management.  Your disillusion with the local metal scene seems to have festered long enough to make you distance yourself.  What has gone wrong in Malta and is it too late to turn back the tide? Unfortunately, how things are going locally, passion is fading out. Hopefully new blood will come in. Without going into the merit of the artist you are bringing to Malta for events such as Dark Malta Festival, you have managed to surprise us by bringing over huge names to play at The Garage, such as Covenant (2018), Combichrist (2019), Master class by Diego & Richard from Lacuna Coil (2021), Nanowar of Steel (2022), Pestilence (2022) and others that are eluding my memory.  How difficult is it to gain the trust of such artists and entice them to come and perform in a small club on an island in the middle of the Mediterranean Sea?   In the beginning it was not easy, to win their trust. But of course, having a long history in events and making sure that all the requirements of the artists are met is very important. Malta can be interesting for foreign alternative artists since this could be a new location where they never performed and the weather helps. But most important is for the promoter to make sure that all the artist riders are met and he/she can assure a great show. Unfortunately, in the past it occurred that this didn’t happen, and this made all Maltese promoters look bad. Last weekend of September 2024, The Garage hosted and other successful edition of the Malta Death Fest, an event you are co-organizing with David Cachia.  Will your involvement as an organizer of this event continue?   No, this was my last involvement with the Malta Death Fest too. It was a great way to end, since the festival was a great success and would like to thank David for this opportunity.   Rumor mill has been spinning that The Garage, an enterprise you run along with Darren Borg, will be closing its doors after struggling against the impossible to make a home for local metal scene.  What is the situation?   Just Rumors. But of course, it’s the people attendances who keep the venue open. Hades Events is not only about metal.  Dark Malta Festival 2025 (25/26/27 April) will host one of the strongest line ups to date.  Do you care to spice up our appetite?   Yes, as you all know the lineup has been nearly all announced and more to come. Keep yourselves updated on all our social media channels.   Another venture you started in 2023 is Dungeon Events.  Is Malta ready to explore its kinky side?  Did the flow of expatriates working in Malta bring with them a fresh alternative mentality?   Yes, Dungeon Events is a new concept for Malta. Well 20 years ago it was not ready for Halloween and 7 years ago no one thought that Malta will have it’s own Gothic International Festival. We started Dungeon with the idea of getting the Kink community together. We also organized Malta’s First Fetish Pool Party which was a great success and that will also be repeated next year. Also, in November we will have international acts and more. I believe also that Maltese people are becoming more open minded. Of course, the influence of the expatriates helps too. Not being one to stand still, you have unveiled a new venture for 2025, Malta Pagana.  What is this all about?  What are we to expect?   Well as the name says this will be Malta’s Frist Pagan Festival. At the moment I cannot disclose much information. But dates and first info are to be revealed soon.   Your calling as a DJ has taken you to some of the best clubs around Europe.  Any events planned for the near future?   Yes, will be djing in London in November and Bristol in December. Also, for 2025 already have some International gigs booked.   Any final comments?        Support the scene. Crocodile tears will be useless when all of this is gone.

SCJ hosts the Imperial Male Voice Choir from the UK This October, the Schola Cantorum Jubilate will be hosting the Imperial Male Voices Singers. This choir takes its name from the Imperial College, University of London, where the founder members met in the 1970s. Although Imperial is renowned world-wide for its tuition and research in the fields of Science, Technology and Medicine, its students and alumni also have a notable enthusiasm and reputation for music-making. Over almost 50 years IMVC has entertained audiences and been successful in competitions at home and on tours to France, Germany, Ireland, Switzerland, Slovenia and Russia. Their eclectic repertoire spans almost 1000 years from plainchant and sacred through folk-song, classical, opera, musical theatre and popular genres. Their musical director, Deborah Miles- Johnson, and accompanist, Brian Parsons, are alumni of the Royal College of Music and both have many years of professional experience in performing, directing and teaching music.   “We are very much looking forward to visiting Malta and Gozo between 14th and 20th October 2024. Our planned concerts will focus particularly, but not exclusively, on sacred music and arrangements of traditional/ folk song harmonised for male voices” said Deborah Miles-Johnson. In Gozo, SCJ will join the IMVC for a sacred music concert Opera Tua . Patrons can look forward to masterpieces by Palestrina, Victoria, Tallis, Schubert, Holst, Biebl, Vaughan Williams, and Chilcott. This concert will take place at the architectural gem of Għarsi Parish Church on Friday, October 18th, starting at 7:30pm. Each choir will perform some of their favourites and come together for powerful, uplifting choral pieces, conducted by Marouska Attard and Deborah Miles-Johnson. On the following day, Saturday, October 19th, the IMVC will present a Lunchtime Recital at the Gozo Seminary Hall in Victoria, beginning at 11:30am. This concert will primarily feature secular music, including folk songs by Vaughan Williams and Holst, as well as traditional American folk tunes. It will also showcase duets by Dvořák and Rossini, performed by Marouska Attard (soprano) and Deborah Miles-Johnson (mezzo-soprano), concluding with Lehár's Vilia . Concerts are free of charge and open to everyone. These events are part of the Opera is Gozo initiative, supported by the Directorate of Cultural Heritage within the Ministry for Gozo and Planning. Further details are available on the Websites:   www.imvc.org.uk   or   scjchoir.com and the social media platforms.

LOST MY SKIN - Out October 10 For fans of: London Grammar, Art School Girlfriend, The xx, RY X and Björk Fresh from their performance at The National Gallery, Berne release Lost My Skin on October 10, 2024  - a creative expression of the eco-anxiety and burnout of living in a world where climate and social justice are not the priority . It presents an underlying atmosphere of frustration and hopelessness for the future, while knowing that we’re not in this alone. Lost My Skin is accompanied by a DIY music video filmed on iPhone .   Lost My Skin is the fourth track from debut album 789  out October 31, following Language , Waves , and You Never Get Enough . 789  is inspired by how we as humans interact with the planet, animals, and each other. All tracks are co-written with The Earth  via EarthPercent . Berne is recognised as  EU Climate Pact Ambassador for Malta . Berne explain: “Lost My Skin is our full-circle track. It encapsulates the journey we went on while making this record over a couple of really difficult years for the world. There’s pain, there’s sadness, there’s hopelessness, there’s hiding; but we hope that knowing that none of us are alone in dealing with this eases the pain, the sadness, the hopelessness, the hiding. It was recorded in our studio, mixed by Mercury Prize winner and Music Producer’s Guild winner Shuta Shinoda, and mastered by Music Producer’s Guild Mastering Engineer of the Year 2023 Cicely Balston.” “A duo addressing injustice through music and beyond.” BBC Introducing   “'Language' is a firm reminder of just how awe-inspiring they can be. Fresh and immersive at every turn, Berne already sound like they are entering the next phase within their musical evolution to date.” - Lock Magazine LOST MY SKIN - lyrics Lost my mind trying to stay alive Gave it all that I could and then some more I dream with my eyes shut burnt my heart out Living in the shadow of tragedy Yeah I'm falling Yeah I'm falling down Oh the outside is burning to the ground On the inside, well no one's looking round I curl up into a ball make myself small Cowered from the critical strangers' eyes Yeah I'm falling down I worked so hard that I lost my skin I've been so tired but I can't give in I dream with my eyes shut burnt my heart out Living in the shadow of tragedy I cannot be the only one Shedding my skin as I go on I cannot be the only one Shedding my skin as I go on I cannot be the only one Shedding my skin as I go on I worked so hard that I lost my skin I feel so tired but I can't give in

Grotium Members Shine in Separate Debuts Ahead of Notte Bianca Performance During this year’s Notte Bianca, Grotium made a strong return to the stage, just days after two of its members had debuted with other bands. The double debut occurred as guitarist Sean Anastasi and bassist Aidan Zarb showcased their musical versatility with two different groups. On Thursday, September 26th, Sean Anastasi delivered his first live performance with progressive band Viper Soup Complex, whom he joined earlier this summer. Despite being the newest member, Anastasi impressed the crowd with his remarkable skill and stage presence, playing with the ease and confidence of a seasoned band member. Viper Soup Complex is also gearing up for the release of a new EP, scheduled to drop early next year, adding even more excitement to their growing momentum. A day later, on Friday, Grotium’s vocalist Aidan Zarb stepped into a new role as Halcyon’s bassist, debuting with the band opening this year's Malta Death Fest. Zarb’s transition was seamless, as he tackled Halcyon’s intricate and challenging songs with precision and enthusiasm. The set reached its peak with the introduction of an untitled, brand-new track, simply referred to as "New Song." Both musicians managed to balance their commitments to Grotium and their new roles with grace and professionalism, making their upcoming performance at Notte Bianca even more highly anticipated. Thy Legion Announce Release of New Album "Grand Cosmic Funeral" On Thursday, October 3rd, blackened death metal band Thy Legion took to their social media pages to officially announce the release of their upcoming album, Grand Cosmic Funeral. The album, which is set to drop on November 29th, 2024, will be released under Art Gates Records, the label the band signed with in May this year. The band also shared the album's cover artwork, designed by their guitarist Elton Falzon, which captures the dark and melancholic atmosphere reflected in the music. In a statement, Thy Legion explained their vision behind the artwork: "Our goal was to convey the essence of the songs, both lyrically and musically, through the album cover. We wanted it to serve as a visual gateway, allowing listeners to instantly connect with the mood of the music." Grand Cosmic Funeral promises to deliver a blend of extreme sound and melancholic undertones. The band describes it as "a spiritual experience while retaining an extreme sound," staying true to their signature style. The track-list for the album includes seven songs, among them titles like “Black World Funeral,” “The Adoration of Omega,” and “From Flesh to Spirit,” which features Clint Aquilina as a guest musician. The album was recorded and produced at XIR Recording Studios and later mixed and mastered by Daniel Bezzina at RiverStone Studios. With their upcoming release, Thy Legion is poised to make yet another powerful impact on the metal scene, and fans are eagerly anticipating the arrival of Grand Cosmic Funeral. Kuraġġ: A Concert Inspired by True Stories The Malta Community Chest Fund is set to present Kuraġġ, a unique and emotional concert that promises to uplift audiences with stories of hope and resilience. Scheduled for November 8th and 10th at Teatru Salesjan, Kuraġġ will feature the renowned Big Band Brothers alongside a host of talented local artists, bringing to life the inspiring real-life experiences of individuals the organization seeks to support. This event is more than just a musical performance—it’s an emotional journey that celebrates the power of the human spirit through the magic of music. With limited tickets available, the concert is expected to attract an eager audience ready to experience a night of heartwarming stories and powerful performances. Tickets for the concert are available through Showshappening , with performances set for 8 PM on November 8th and 6 PM on November 10th. Don’t miss this special event that combines music with the impactful stories of those in need of support. Halloween Massacre: The Unholy Final Chapter Set for November 2nd On Saturday, November 2nd, the iconic Halloween Massacre  event, organized by Hades Events, The Garage, and Rene Hades Farrugia, will mark its final chapter. Dubbed "The Unholy Final Chapter," the event promises one last unforgettable celebration of heavy music at The Garage, which has been the event’s home for the past seven years. This long-running Halloween tradition in Malta, which began during the days of the Old Coconut, has been a staple of the local metal scene. Fans are invited to gather for "One Last Dance" and embark on the final journey of the event that originally introduced Halloween celebrations to the island. The lineup for the night includes some of Malta's most formidable metal acts: ClubMurder  – Active since 2005, this twisted metal band will deliver their signature sonic aggression, known for sending audiences into a wild frenzy with their groove-driven sound. Luciferi Regnum  – A five-piece melodic black metal band hailing from Malta, known for their dark, atmospheric performances. No Humano  – With their motto Organic Waste Turned Into Human Machines , this band, which gained popularity after winning Crowned Battle of the Bands , has become a fan favorite in the local scene. Niket  – A heavy post-rock/blackgaze band, who released their self-titled EP three years ago and are currently working on new material. Poster artwork for the event has been designed by Mark Casha, adding a visual dimension to the highly anticipated final edition of Halloween Massacre . Metal fans are encouraged to gear up for this final massacre and bid farewell to one of Malta's most cherished metal events, marking the end of an era in the local scene.

This year’s Malta Death Fest wrapped up in the early hours of Sunday, September 29th, leaving attendees with a mix of emotions—exhilaration from the festival’s high-energy performances and bittersweet feelings knowing this might be the last edition, at least for a while. Having made a triumphant return last year after a long hiatus, the fifth edition built upon the momentum, delivering two days of unrelenting extreme metal. Featuring ten brutal bands, the lineup did not disappoint. While reviewing each performance would be a monumental task, I’ll focus on the Maltese bands that took part in this year’s festival, four in total, who each contributed to making this event a resounding success. Organisation: A Well-Oiled Machine Before we delve into the bands, it’s important to acknowledge the flawless organization behind this event. Organizing a festival of this scale is never easy, but two individuals with a boundless passion for music managed to pull it off seamlessly. David Cachia, the festival’s creator, has been the driving force behind Malta Death Fest since its inception in 2011, when the first edition took place at the now-defunct V-Gen. This year, (just like last year) his experience and meticulous planning together with the expertise of Rene Farrugia were clearly visible in every detail. From the smooth transitions between acts to the professional treatment of both artists and audience members, it was evident that this event was managed with care and dedication. The feedback from the musicians further underscored this point. Every artist I spoke with had nothing but praise for the festival's organisation. Of course, even with Cachia and Farrugia's expert leadership, such a massive event requires additional hands, particularly when it comes to managing the stage. In this regard, Emanuel Portelli and Dino Mifsud Lepre of Hemplifier handled stage management and logistics like seasoned professionals, ensuring that each performance went off without a hitch. Sound engineering was entrusted to none other than Steve Lombardo, a legend in the local music scene. Despite being fatigued from managing sound for a full orchestra performance just days earlier—an unprecedented event in Malta—he executed his duties flawlessly. Given the complexity of managing sound for ten extreme metal bands over two days, his achievement cannot be overstated. The lighting, often an overlooked element of any local event, was handled by Philip Taske Gerard, who once again provided an impeccable display that added to the overall atmosphere. This year, his efforts were especially recognized and appreciated by the community. Day One: A Brutal Start Kicking off the festival on the first day was Halcyon, a relatively new Maltese band that has made waves since their formation just over a year ago. This performance marked the debut of their new bassist, Aidan Zarb, a name more commonly associated with his vocal work in the thrash metal outfit Grotium. Despite this shift in roles, Zarb fit in seamlessly, performing Halcyon’s intricate songs with precision and enthusiasm. The highlight of their set was the debut of a brand-new track, still so fresh it hadn’t even been given a title yet simply presented as New Song. Despite being a new addition, the track was met with enthusiasm from the audience, setting high expectations for what’s to come from the band. Halcyon’s energetic set, led by the charismatic Zain, left no doubt that they are a force to be reckoned with in Malta’s metal scene. Next up among the Maltese bands was Angelcrypt, one of the island’s veteran metal acts. Positioned as the third band on the bill, Angelcrypt delivered a blistering set, continuing their Legacy of Valour tour, which will see them perform over 20 shows across Europe. Their performance was a masterclass in energy and precision, blending fan-favourite older tracks with newer songs that are rapidly gaining traction. Since guitarist and band founder Shawn Mizzi assumed vocal duties in addition to his guitar playing, the band’s music has evolved into a more energetic and intense sound, which I personally prefer over their earlier style. Angelcrypt’s set followed Dutch death metal band Caedere, who were a tough act to follow, but the Maltese veterans rose to the occasion and kept the energy high. The band, now approaching their 30th anniversary, demonstrated that their experience has only sharpened their edge, and they continue to prove why they remain one of the island’s top extreme metal acts. Their performance at Malta Death Fest added to the anticipation of seeing them again on local soil in the near future. Day Two: Anticipation and Speculation The second day of the festival kicked off at 6:30 PM, with doors opening to a crowd buzzing with anticipation. Leading the charge was Sacroment, another Maltese band that, despite their recent formation, has already made an impression. I first saw them at the Crowned Battle of the Bands earlier this year, which also marked their live debut. Sacroment’s set at the festival saw them perform their upcoming debut album New Age Aggression in its entirety, and the songs were met with enthusiasm from the crowd. The band’s aggressive and polished sound makes them one to watch, and the audience's response suggests that their album release is eagerly awaited. Much like Halcyon, Sacroment is poised for great things, and their future in the Maltese metal scene looks promising. The final Maltese band to perform was Martyrium, a staple of Malta’s extreme metal landscape. They took the stage amidst a swirl of rumours and speculation. Speculation intensified when the band took the stage without two of their original members, keyboardist David Pulis and guitarist Andrew Baldacchino, the latter of whom was in attendance to watch the rest of the band perform. Everyone present was aware of the speculation, but we are here to focus on the facts. Since nothing official has been announced by the band, we cannot make any assumptions. Nonetheless, Martyrium delivered a powerful set, playing most of the tracks from their 2021 album Lamia Satanica, except —A Knife Through All Poison Hearts, Thrice God’s Voice Denied, and Thy Bosom Serpent. These seemingly new tracks were commended by the audience. Closing the Curtain: A Hope for the Future Following Martyrium’s performance, the festival continued with performances by Inverecund, Sepiroth (one of my personal highlights of the festival), and, finally, Finnish black metal legends Impaled Nazarene, who closed the festival with a thunderous performance. The energy and intensity of the final acts left the audience on a high, a fitting conclusion to two days of extreme metal mayhem. In conclusion, the 5th edition of the Death Fest was a resounding success, both in terms of organisation and the quality of performances. The festival has become a crucial event for the local extreme metal scene, providing a platform for both emerging and established bands to showcase their talent. While the potential hiatus looms over the future of the festival, one can only hope that the break is a short one. Malta’s metal scene needs events like this to thrive, and festivals like the Death Fest are vital in keeping the community united and energised. Here’s hoping we won’t have to wait too long for its return.

In the mid-19th century, as opera began to gain popularity on the Maltese Islands, it became evident that the historic Manoel Theatre, opened in 1732, could no longer accommodate the growing audiences. The need for a larger and more modern venue became apparent, leading to the decision to construct a new opera house. In 1860, the Governor of Malta, Sir John Gaspard Le Marchand, formally approved the construction of a new theatre to be built at the entrance of Valletta. This project culminated in the Royal Opera House, a structure that would become one of Malta's most cherished cultural landmarks, though its history would later be marked by both triumph and tragedy. The Royal Opera House was designed in 1861 by the English architect Edward Middleton Barry, who had established his reputation by designing several prominent buildings in London, including Covent Garden and the National Gallery. Barry's design for the Royal Opera House followed the Neo-Classical style, and construction began on a 63-meter by 34-meter site that had previously been occupied by the Casa della Giornata, the residence of the Turcopilier of the Auberge d’Angleterre during the time of the Knights. The new theatre, with a seating capacity of 1,095 and standing room for 200 more, was completed after five years, significantly surpassing the capacity of the Manoel Theatre. The cost of construction amounted to £60,000, a substantial sum for the time, but the result was a building that rivalled some of the finest opera houses in Europe. The Royal Opera House was officially inaugurated on October 9, 1866, with a performance of Vincenzo Bellini’s opera I Puritani. However, just seven years later, on May 25, 1873, the theatre suffered its first disaster. During a rehearsal of Giuseppe Privitera’s opera La Vergine del Castello, a fire broke out, causing extensive damage to the interior. Though the exterior of the building remained intact, the fire calcified the stonework inside, rendering it unusable. Restoration work began swiftly under the supervision of architect Webster Poulson, with the repairs costing an additional £4,000. After nearly four and a half years of restoration, the theatre reopened on October 11, 1877, with a performance of Giuseppe Verdi’s Aida, marking a triumphant return to Malta's cultural scene. For decades, the Royal Opera House stood as the premier venue for opera and drama in Malta, attracting audiences from across the social spectrum, including military officers, British royalty, and Maltese enthusiasts. It was here that many aspiring opera singers launched their careers. Among the renowned artists who performed at the Royal Opera House were tenor Giovanni Zenatello, mezzo-soprano Giulietta Simionato, and soprano Bidu Sayão, all of whom went on to achieve international acclaim, particularly at the Metropolitan Opera in New York. Maltese singers like tenor Icilio Calleja and baritone Giuseppe Satariano also graced the stage, further enhancing the theatre’s reputation as a hub for both local and international talent. Composers of international repute, including Ottorino Respighi, Mons. Licinio Refice, and Riccardo Zandonai, were also invited to perform in Malta, solidifying the Royal Opera House’s status as a cultural beacon in the Mediterranean. The Royal Opera House’s reputation as one of the most beautiful and inspiring opera houses in Europe made it a symbol of Maltese cultural aspirations. However, this legacy was cut short by the ravages of World War II. On the evening of April 7, 1942, the theatre suffered its second and most devastating tragedy. During an aerial attack by German Stuka dive-bombers, the Royal Opera House was struck, and much of its interior and side walls were destroyed. The once-grand building was reduced to ruins, with only a few Corinthian columns and sections of its stone base surviving the destruction. The devastation of the theatre symbolised a significant cultural loss for Malta, as the island endured one of the most heavily bombed campaigns of the war. In the post-war years, several attempts were made to restore the theatre to its former glory. In 1953, six architects submitted designs for the reconstruction of the Royal Opera House, and the project designed by Italian architect Zavellani-Rossi was selected. However, the project was eventually shelved due to political disagreements and concerns over the cost, despite a provision of £280,000 in the national budget for the theatre's reconstruction. Over the following decades, successive governments struggled to prioritise the rebuilding of the opera house, as other reconstruction projects were deemed more urgent in post-war Malta. By the late 1950s, the ruins of the theatre had fallen into disuse, and for many years, the site was used as a parking lot for commuters entering Valletta. Throughout the 1980s and 1990s, various proposals to rebuild the Royal Opera House emerged, including plans by renowned Italian architect Renzo Piano, who had been contacted to design a new structure on the site. Piano’s plans, which included rehabilitating the entrance to the city and constructing a new building on the opera house site, were approved by the Maltese government in 1990. However, strong opposition from conservative elements of Maltese society led to the abandonment of this project as well. Similar attempts to create a cultural complex or an underground car park in the area also failed, and for decades, the site of the Royal Opera House remained a controversial and unfulfilled promise in Malta’s cultural landscape. It was not until 2006 that serious discussions about redeveloping the site gained momentum again, and once more, Renzo Piano was approached to provide a new design. This time, Piano proposed constructing a new Parliament building nearby and converting the Royal Opera House site into an open-air theatre. Despite some initial controversy surrounding the plan, the project proceeded, and in 2013, the site was officially inaugurated as Pjazza Teatru Rjal, an open-air performance venue that both commemorates the theatre’s storied past and serves as a symbol of Malta’s cultural resilience. Today, Pjazza Teatru Rjal stands as a testament to the indomitable spirit of the Maltese people. It honours the legacy of the original Royal Opera House while offering a modern space for artistic expression. Although the original theatre, with its grandeur and beauty, was lost to the destruction of war, its memory lives on through the performances and cultural events that now take place in the open-air venue. The transformation of the site from ruin to a vibrant cultural space reflects Malta's ongoing commitment to preserving its rich artistic heritage while looking towards the future with optimism. Bibliography: Borg, Malcolm. British Colonial Architecture: Malta, 1800-1900 . Publishers Enterprises Group, 2001. Denaro, Victor F. Houses in Kingsway and Old Bakery Street, Valletta . Melita Historica, Journal of the Malta Historical Society, 1959. Bonnici, Joseph, and Cassar, Michael. The Royal Opera House – Malta . Gutenberg Press, 1990. Rix, Juliet. Malta and Gozo . Bradt Travel Guides, 2015. "Valletta's Royal Opera House, from glamour to rubble". The Man Who Went To Malta . 12 December 2011. "Pjazza Teatru Rjal". Malta Ministry of Culture . Archived April 10, 2019. Squires, Nick. "Maltese anger at plans to rebuild Valletta". The Daily Telegraph , London, 8 May 2010.

Charlie Koryn’s journey through the world of extreme music is rooted in his Maltese heritage. Born to a family of Maltese immigrants in San Diego, California, Charlie’s recent visit to Malta marked a poignant connection to his ancestry. It was his first time in the homeland of his grandfather, where he not only reconnected with family but also made his debut appearance on Maltese radio. From a young boy influenced by his cultural roots to a renowned drummer and studio engineer, Charlie's story is one of passion, dedication, and a deep appreciation for his Maltese lineage. Charlie Koryn, a name that has become synonymous with extreme music, recently visited Malta for the first time, to visit his Maltese relatives. His visit was marked by his first appearance in a Maltese radio studio, where he shared the story of his fascinating journey—from a young boy banging on pots and pans in San Diego to a renowned drummer, studio engineer, and instructor in the extreme metal genre. Charlie Koryn, born and raised in San Diego, California, to a family of Maltese immigrants, developed a passion for drumming at an exceptionally young age. He vividly remembers being just two or three years old when he first experienced live music. The sounds of a band playing beneath his apartment would mesmerize him, even as he sat in the kitchen sink during baths. Sensing his early interest, his mother gifted him a toy drum set, paving the way for a lifelong connection to percussion. Though his memories of those early days are hazy, their influence was undeniably profound. As Charlie describes it, drumming "found him," rather than the other way around. Charlie's professional journey began in his teenage years with the formation of the death metal band Ascended Dead in 2011. At just 17, still in high school, he joined the band, which would become the cornerstone of his career. This was the first group where he felt truly challenged, playing alongside musicians who were either on his level or more advanced. Ascended Dead wasn't just another local band; it was where Charlie honed his skills, recorded albums, and embarked on tours that would take him across the United States and eventually the world. His time with Ascended Dead was a turning point, leading to opportunities to play with other prominent bands in the extreme metal scene. Charlie's ability to adapt and bring his unique drumming style to various groups made him a sought-after musician. Charlie's love for extreme music was a natural progression from his early influences. His first drum teacher introduced him to classic rock bands like Led Zeppelin and Black Sabbath, but as Charlie grew, so did his appetite for more aggressive, high-energy music. Skateboarding, another of his passions, played a role in this, providing an outlet for his boundless energy and naturally drawing him toward the fast-paced rhythms of extreme metal. Each band Charlie has played with, from Ascended Dead to Bloodsoaked and Funebrarum, has allowed him to explore different facets of his musical personality. While his own bands give him the freedom to express himself fully, playing with other groups requires him to step into different roles, akin to an actor taking on diverse characters. This versatility has been key to his success across multiple projects. In addition to his career as a performer, Charlie has built a reputation as a skilled studio engineer and drum instructor. His interest in audio engineering began out of necessity; early recording sessions with Ascended Dead often left him dissatisfied with the results. Determined to take control of his sound, Charlie delved into the technical side of music production, eventually establishing his own studio where he now records and mixes for bands worldwide. Teaching is another passion for Charlie. When he's not on tour, he dedicates time to passing on his knowledge to the next generation of drummers. He credits much of his own development to the drummers he studied with and sees teaching as a way to give back to the community that shaped him. Despite his busy schedule, which includes extensive touring, recording, and teaching, Charlie understands the importance of balance. While he thrives on being productive, he also recognizes the potential for burnout and strives to find time for his other passions, such as skateboarding, surfing, and paragliding. Charlie’s extensive touring has played a significant role in his growth as a musician. From small dive bars to massive festivals like Wacken Open Air, each performance is a stepping stone in his journey. He views every show, regardless of size, as equally important, knowing that each opportunity could lead to the next big break. Charlie Koryn's journey is far from over. With upcoming tours in Europe with Ascended Dead and in the U.S. with Morbid Angel, along with plans to continue teaching and possibly conducting master classes, his schedule remains as packed as ever. Yet, he remains committed to his craft, always seeking new challenges and opportunities to grow. As Charlie reflects on his career, his advice to young musicians is clear: take every opportunity seriously but ensure that you're passionate about what you do. His life is a testament to the rewards of hard work, dedication, and a genuine love for music. And with any luck, he might soon be back in Malta—not just for a visit, but to perform on stage, sharing his extraordinary talent with new audiences. Links to listen to Charlie Koryn's interview and selective music: Heatstrokes Rock Moods