Search Results

It is a fact that Malta's first rock opera originated in 1974. The press conference held in Sliema at the "Midas" hotel, on July 5th, 1974, marked the launch of Malta's inaugural Rock Opera titled "Dream?" The event, which took place at the Manoel Theatre, was a significant moment for Maltese music history. The following are excerpts of the press release as reported by the day’s press: ‘Three talented young Maltese musicians, David Agius, Joey Chircop, and Anton Grech, all well-known figures in the local rock music scene, unveiled their ambitious project. Scheduled for October, the Rock Opera comprising entirely original compositions by the trio, the production promised to be a groundbreaking endeavor. During the press conference, attendees learned of the stellar lineup of Maltese vocalists set to participate in the Rock Opera. Notable names included the internationally acclaimed Maltese singer Jon Lukas, the frontman of Malta Bums "Bayzo," and Renato, who had recently made waves at Cantasud. Mr. Joey Chircop, one of the masterminds behind the Opera, shared insights into its origins. He revealed that the project's inception dated back to 1970, during the twilight days of the group "Cinnamon Hades". It all started when ‘Frustrated’, was written by Joey Chircop, then the organist of the band “The Boys” (later known as Cinnamon Hades). When the band came to an end in November 1971, Joey decided to concentrate on writing songs. He discussed the idea with Anton Grech, also former guitarist of The Boys and Cinnamon Hades, and they both agreed to work on developing the song into a stage production. David Agius was approached to assist, given his prior collaboration with Joey in composing other songs. Over the course of two years, the thematic material of "Frustrated" underwent extensive development, eventually evolving into the Rock Opera titled "Dream?" or "Din Holma?" in Maltese. The Opera delved into social issues, addressing some of the most pressing concerns of contemporary society during that time. In addition to the principal vocalists, a choir comprising adolescents would accompany the performance, adding depth and resonance to the musical journey. The unveiling of Malta's first Rock Opera marked a pivotal moment in the country's cultural landscape. With its innovative approach and thought-provoking themes, "Dream?" promised to captivate audiences and leave a lasting impact on the Maltese music scene.’ After completing all the music and lyrics, efforts were made to cast singers for each character and recruit friends and family to form a choir. Rehearsals commenced in a garage in Fgura. Simultaneously, arrangements were made to secure a conductor for the music. Maestro Joe Vella, renowned as one of Malta’s most esteemed conductors, was approached for the task. A meeting was organized at his residence in Attard, during which the songwriters outlined their vision. Initially hesitant, Maestro Vella was won over upon hearing excerpts of the musical played on his piano, and he agreed to orchestrate and direct the music. In addition to securing a conductor, the production team needed a director. Given his previous collaborations with TV Director Mario Ascione, Joey suggested approaching him for the role. Mario readily accepted the responsibility, collaborating with Maestro Joe Vella to devise a plan for staging the musical. As announced at the press conference, Jon Lukas was originally approached for the main role. Regrettably, due to prior commitments, he had to withdraw from the production after a few rehearsals. Subsequently, Enzo Gusman was promptly approached to take over the main part, a role he embraced wholeheartedly. At its core, the story line revolves around a young boy who, was marooned on a deserted island after his family’s yacht was shipwrecked. There on the same island he was found by a sailor (Ben), who, he himself, was marooned and alone for so many years before. After twenty years living together, in solitude, Ben passes away, leaving the boy alone. Dreamer was sentenced to remain on the island, never experiencing life with his fellow man. He was a virgin to the world. Here is where the opera begins: ……with the character of Dreamer, kneeling beside Ben’s grave. Overcome with despair, he eventually falls asleep and begins to dream… Dreamer: “I’ve got a picture in my mind of you Ben. I won’t forget you for some time. If ever I will. Or better still, I will keep you in my heart, So, it will never die……… ……At the end Dreamer turns to the Audience and asks: “What can I do? What can I say? Can it be true? What I’ve dreamed here today?” The performances took place on Friday, October 4th, Saturday, October 5th, and Sunday, October 6th, 1974. The attendance varied, with Friday's show filling three-fourths of the venue, Saturday's reaching full capacity, and Sunday's also selling out, with a significant crowd gathering outside hoping to purchase tickets. Regrettably, due to the theatre being fully booked until the end of the year, the production could not be extended. Despite this, the three young composers managed to make a profit of 30 Maltese pounds after covering all expenses. With the singers, choir and dancers generously performing for free, the profit was used to treat all participants to a meal. Here is the roster of individuals involved in Malta's inaugural Rock Opera: ORCHESTRAL DIRECTION and ARRANGEMENT Maestro Joseph Vella STAGE DIRECTION Director Mario Ascione Stage Manager George Schiro’ Sound Effects Tony Parnis Sound System Joe Debono Choreography Mary Rose Debono Stage and Set Design Joe Micallef Hairstyles (Main Singers) Manuel of Village Gossip Hairstyles & Wigs (Choir) Dennis & George of Dragonara Saloon Stage Make-up Mario Azzopardi MUSICIANS Maestro Joseph Vella and his Orchestra SPECIAL GUEST MUSICIANS Lead Guitar Anton Grech Rhythm Guitar Freddie Scicluna (Malta Bums) Bass Guitar Henry Spiteri Drums Charles Gatt (Ic-city) Joe Camilleri (il-peace) PROMOTIONS Denise Bartolo Joe Micallef Carmenu Galea (Il-Balal) COVER DESIGN Joe Agius (Id-Dylan) THE CAST Enzo Gusman as Dreamer Bayzo as the Pusher. Renato as Ben the Sailor. Tony Bartolo tal Malta Bums (il Gigo) as Harold Fry. Natalie Micallef as Junkie Peter Baldacchino as Ringleader Peter Borg as Arab John Zammit as Jew Godwin Borg as Protestant Vince Mifsud as Catholic THE CHOIR Godwin Borg Anthony Cassar Mathese Cortis Maria Chircop Vince Dalli Vince Mifsud Catherine Cortis Janet Chircop Sylvio Mizzi Ray Sultana Tania D’Ugo Josette Grech Joseph Borg Peter Baldacchino Bernardette Wismayer Doreen Scott Joey Vassallo Emanuel Salafia Janet Mifsud Rose Scicluna THE DANCERS Mary Rose Debono Celine Portelli Denis Bartolo Oscar Curmi Marion Ebejer Anna Farrugia Joseph Borg Paul Mifsud Lauren Gafa Etta Mizzi Domenic Pool Charlie Zammit ________________________________________   This article would not have been possible without the assistance of Joey Chricop, to whom I extend my gratitude for his patience and the time he devoted to answering my questions. Photos: Joey Chircop

Laura Bruno Triumphs at 48th L-Għanja tal-Poplu Festival Laura Bruno has clinched the top prize at the 48th edition of L-Għanja tal-Poplu with her soulful rendition of "Għażiża". Held at the iconic Pjazza Teatru Rjal in Valletta, the festival showcased some of Malta’s finest musical talent. Bruno's winning performance of "Għażiża," composed by Mark Spiteri Lucas, also earned her the prestigious Enzo Gusman Award for Best Interpretation. The poignant song reflects on a mother's enduring love and the hope that she remains a guiding presence even after death. The competition was fierce, with 120 submissions narrowed down to just 16 finalists. A panel of expert judges, along with audience votes, determined the winners. Florence Aquilina's self-written piece "Namra" secured the second spot, while Dario Bezzina's "Fissidni," which he both wrote and performed, came in third. Aquilina was further honored with the Best Singer-Songwriter Award for her work on "Namra." The award for Best Social Theme went to Lon Kirkop for his powerful song "Straight," which delves into his personal experiences as a gay man. In addition to the competitive categories, the organizing committee honored veteran singer Renato Micallef with the ‘L-Għanja li Tibqa’ Award, recognizing his lifelong contribution to Maltese music. Micallef performed "Bizzilla bil-Ġebliet," a composition by Dominic Galea with lyrics by Ġorġ Saliba, to celebrate his decades-long career. The 48th L-Għanja tal-Poplu once again highlighted the richness of Maltese music and culture, leaving audiences eagerly anticipating next year's event. Launch Party for Zabbeth's New LP Postponed to September 15 Sean, the driving force behind the musical project Zabbeth, announced over the weekend that the eagerly anticipated launch party at Kickstart Rock Bar has been rescheduled to September 15th. In his statement, Sean explained, "Unfortunately, we're still currently waiting on the LPs to arrive at Witches Brew HQ and due to this, I will be moving the Launch Party to September 15th! Have a look at the Facebook Event for more updates, and make sure you click on 'Going'!" Zabbeth, spearheaded by the multi-talented Chaos, has been captivating audiences since its inception in November 2021. Chaos, who prefers not to boast, is indeed the mastermind behind the project. He wrote, recorded, mixed, mastered, and designed the artwork and all layouts for Zabbeth’s first album. Chaos also played all instruments except for the drums and handled the same responsibilities for the upcoming split release. This time around, the artwork for the split was crafted by Shaun Farrugia, and of course contributions from Vaulderie for their songs. Despite these collaborations, Chaos remained at the helm, mixing and mastering all the material in the split. In addition to his work with Zabbeth, Chaos plays bass for Mur.Doc 104 and also handles another one-man project, Psychopath. Fans are encouraged to stay tuned to the Facebook event page for further updates and to confirm their attendance for the rescheduled launch party. Additionally, they can listen to his recent interview on Rock Moods and Heatstrokes on melodija.eu Matthew James Launches First Solo Album Following a standout performance at this year’s Farsons Beer Festival, one of Malta's most prolific singer-songwriters, Matthew James, is stepping into a new phase of his musical journey. Known for his decade-long tenure leading the local band Red Electric, Matthew has contributed to the music scene by writing three albums with the band, crafting several award-winning songs for other artists, and touring across Europe. Now, he is set to present his first solo album. "As my job involves writing songs for other artists, I usually prioritize the songs I write for myself second. But now the time has come to share the work I created for myself," Matthew said. "Paradise," the first single from his upcoming album "Ashes to Ashes," captures the essence of escaping the hectic pace of daily life to find a serene haven with a loved one. The single, produced by Howard Keith and Matthew James, and mixed and mastered by Howard Keith, has been available on all streaming platforms since August 1st. The full album "Ashes to Ashes" is slated for release this September, marking a significant milestone in Matthew's illustrious career. Former PlaKard and The Ranch Guitarist Patryk Cutajar to Release First Solo Single in August Patryk Cutajar, renowned for his work with PlaKard and The Ranch, has announced via his social media pages that he will be releasing his debut solo single this August. "I'm super stoked to announce I will be releasing my first single this month!" Cutajar shared. He expressed gratitude towards The Insynk Collective for their hard work, and acknowledged Kyle Drakard and Anthony Saliba for their exceptional musicianship on the track. He also thanked Nick Theuma for their innovative concepts, Lindsey Bahia for creating amazing content, and Arts Council Malta for partially funding the recording. "I look forward to having you with me on this journey!" he added, encouraging fans to stay tuned to his social media pages for more updates. SoundArt Malta Welcomes Conrad Dimech on board! On Monday, SoundArt Malta announced the addition of Conrad Dimech to their organisational team and crew. Dimech, a key figure in Malta’s music scene for over 20 years, has collaborated with top artists like Ivan Grech, A Broken Design, Cusion, ManaTapu, The Crowns, and his own project, The Counterbalance Project. He has also organised impactful events such as "Mumenti," which raised over €11,000 for Hospice, and "Musical In Concert" in partnership with the Malta Youth Orchestra. SoundArt Malta expressed their excitement about the new team member: “We are thrilled to welcome Conrad Dimech to our organisational team and crew. After discussing our upcoming visions for the festival and the social impact we aim to have on the underground scene, Conrad was intrigued. Not only did he add valuable ideas on how our next editions will take shape, but he also believed in our goals and vision! We can’t wait to share our upcoming plans with all of you! Trust me, SoundArt is going to be a one-of-a-kind festival and agency, dedicated to supporting the scene on all fronts. We’re looking forward to putting our plans into action and bringing Conrad’s energy to our future editions! Welcome aboard!” In May, SoundArt Malta announced the third edition of the SoundArt Festival, set to take place on September 14th, 2024, at The Garage. This year’s festival will feature the headlining act Mother of Millions, an up-and-coming progressive metal band from Athens. Local bands Dalam, A Broken Design, and From Sheep to Wolves will also perform, promising an unforgettable night of music. The festival’s main sponsors are Festivals Malta and Rock'n Malta. Tickets are available from local band members for €12, and door tickets will be available on the day for €15. Stay tuned to SoundArt Malta’s social media pages for more updates as preparations for the festival continue.

Dominic Grech was born on the 3 of April 1950 in Victoria, Gozo, and is best remembered as the main singer-songwriter for The Tramps, Gozo's most celebrated pop band. Born and raised in Victoria, Grech showcased his musical talents early on, participating in local festivals and joining his first vocal group, The Rosebells. He later formed a beat group called Gemini 5, which paved the way for his most significant musical venture: founding The Tramps in the mid-60s. The Tramps made their initial studio recordings in 1974 and soon became known for their international tours, performing in countries like Canada and Australia. Dominic Grech composed numerous songs for the band, with "Xemx" and "Għawdex Inti Djamant" standing out as two of the most famous Maltese songs. In the 1970s, The Tramps rose to prominence with their hit song "Xemx," released in 1975 under the Circle label by R. Brizzi. The song's lyrics and music, crafted by Grech, have endured in popularity, becoming the signature tune for the Gozitan television program "Għawdex Illum." The single's B-side featured "Lilek Irrid," with lyrics by Emmanuel Ellis and music by Grech, also featuring the Gozitan singer Spiro Sillato. In 1976, the band released another single, "Kif Qatt Nista" and "Tfulija," under the Canadian label Duke's Town, produced by Jo Debono. Dominic Grech was one of three brothers who played instruments with the Leone Band Club of Victoria. His musical journey began with The Rosebells, where he performed alongside his brother Alfred and friends from the neighborhood. Even in this vocal group, Dominic and Alfred occasionally played their band club instruments. During his student years, Grech formed Gemini 5, a beat group that eventually evolved into The Tramps. Managed by George Said, known as Id-Dias, The Tramps recorded their first studio tracks in 1974 with a lineup that included Grech (lead vocals and guitar), Joe Cassar (keyboards and vocals), Spiro Sillato (vocals and bass guitar), and Carmel Portelli (vocals, drums, and percussions). The Tramps' international tours began in 1974 with performances in Canada, followed by another tour in 1976 and a subsequent tour in Australia in 1981. The band's popularity in Gozo and Malta was unparalleled, with "Xemx" and "Inti Djamant" being among their most successful recordings. "Xemx" remained a beloved song for decades, even performed by the Malta Philharmonic Orchestra and Ivan Grech at the annual Rockestra with a musical arrangement by Josef Debrincat. While "Inti Djamant" is not officially Gozo's anthem, it is cherished as such by many Gozitans. In 1981, The Tramps won the Festival Internazzjonali tal-Kanzunetta Maltija with "Sinjur Ġib il-Paċi," a song performed during Pope Benedict XVI's visit to Malta in 2010, accompanied by Dominic's sons Richard and Mark. Beyond music, Dominic Grech managed Exotique's Gozo outlet for several years and owned the Arzella restaurant in Marsalforn. He was married to Pauline née Ellis, and they had four sons: George, Richard, Christian, and Mark. The Tramps' last public performance took place in December 2004, continuing their tradition of Christmas gigs in Victoria for about twenty-five years. Dominic's final performance was at the Nazarene Church in Sliema, where he played with his sons Richard and Mark during a prayer meeting. Dominic Grech passed away at 55 years old at the Gozo General Hospital after a prolonged illness. His legacy was celebrated on October 2019 during the Lovin Music Awards ceremony, where The Tramps reunited for a one-night-only performance of "Xemx." Accompanied by Maltese vocalists Federica Falzon, Amber, Claudia Faniello, and Nicole Frendo, the band's iconic track resonated with the audience, enhanced by historical images projected onto large screens. In recognition of Dominic Grech and The Tramps' contributions to Maltese music, Calypso Radio 101.8FM initiated an online petition on March 2, 2020, advocating for the Gozitan group to be honored with Ġieħ ir-Repubblika and for "Inti Djamant" to be officially recognized as the song of Gozo. Dominic Grech's influence on Maltese pop music remains indelible, with his compositions continuing to inspire and unite the Gozitan community. Acknowledgments: M3P - http://www.m3p.com.mt/ Cultural Heritage Directorate - https://culturalheritagegozo.gov.mt/

Manatapu Electrifies Farson’s Beer Festival with Powerful Protest Performance At the massive Farson’s Beer Festival last Saturday, local favourites Manatapu delivered an unforgettable performance, culminating in a stirring acoustic rendition of their song "Fini Tal-Progress." This track confronts the urgent issues of rampant over-development in Malta, exposing a tangled web of corruption, greedy developers, and irresponsible decisions that threaten the nation's quality of life. In a dramatic twist, the rest of Manatapu's members returned to the stage during the song, holding placards and a prominent banner emblazoned with "Tizfnu ghad-daqqa tal-izviluppaturi" (You dance to the beat of the developers). This powerful slogan has been a rallying cry for Moviment Graffiti, a group fiercely advocating against the same injustices. “This song was penned a few years ago, but six years later, the problems persist and have only worsened,” shared Dario, the band’s frontman. “We knew it was the perfect time to perform and release it, hoping to ignite action and awareness.” Adding to the impact, Manatapu released a live video of the song, which can be viewed here: https://youtu.be/AwtQdRBlxqQ . The band extends heartfelt thanks to Moviment Graffiti for their relentless fight and urges all their fans to join this critical cause. Don’t miss out on this electrifying performance that’s more than music—it’s a call to action. Join Manatapu and Moviment Graffiti in the fight for Malta’s future. https://www.manatapu.com https://www.facebook.com/manatapu/

A bandcamp.com advert for a band called Mnajdra definitely got my attention.  Being a history buff and a lover of metal, my first thought was, how on earth have I missed this Maltese band?  Though very rich in history, Malta is a small island right in the middle of the Mediterranean Sea and everyone knows anybody else in the local metal community.  Curious on how this secret was so well kept I delved further and noticed that the band was based in the United States of America.  Having inquired with local guru, DJ Noel Mifsud, who also had no knowledge of Mnajdra, I took it up on myself to contact the band and here is what the band spokesperson had to say:   Musically speaking, Mnajdra basically formed from leftover ideas of other projects. I've got a lot of other things I do and ended up with a pile of incomplete songs and parts that didn't seem to fit anywhere else. They were good ideas that I liked quite a bit so I decided to start something new to see where those songs could go and if they could gel together. That's why the first album has a bit of variety in it. The mix of black, death, doom, etc.   In terms of the name Mnajdra and the concept of the material, I've visited Malta a few times and absolutely love everything about it. The culture, history, architecture, temples, all of it. Malta has a such a mysterious nature about it that gets overlooked by the bigger and more talked about ancient cultures like Egypt, Greece, Rome, the Vikings, and so on. I thought it would be fun to explore Malta's ancient temple period for lyrical inspiration and sort of fill in the blanks of who the builders may have been and imagining what their gods were like and what the purpose of everything was.    Initially it was going to be just a one-off album but it ended up going over incredibly well with the people that heard it. One music writer gave it his album of the year nod which blew my mind. So at that point I figured why not do more? Malta has such a rich history the ideas of where it could go are endless. Ancient Malta's culture of goddess worship is fascinating so I decided to explore that next, hence the second album being titled In the Name of the Goddess. The songs touch on various goddesses and female figures that are associated with the islands either historically or mythologically. The challenge of the second album was actually intentionally writing music from scratch that fits the same sound since there weren't any leftover ideas to pull from again. So in that regard I feel like this new album sounds more consistent with itself since it was written all together with intent. There is one leftover track titled The Lady of Verdala that will pop up somewhere sooner than later. If the second album goes over well and grows the audience then I'd like to think we'll do more.   We've worked with Fiadh Productions for CDs and cassettes on both albums but we've yet to land a vinyl deal.   The band member identities are being kept anonymous for now to let the project stand on its own.   Well, that is quite the story.  It makes me think of how for granted, we Maltese, sometimes take our own history.   The first album, which is self-titled, includes eight tracks and was released on May 1st, 2023 via Fiadh Productions.  It is themed around Malta’s prehistory as the song titles attest: 1.       The Worshipping Stones 2.       Giantess 3.       Under Earth 4.       Place of the Echo 5.       Disorder 6.       Sleeping Lady 7.       Illumination 8.       Golden Gate of the Ecliptic   The album can be found as a digital version and was issued both on cd’s and cassette.    On April 5th, 2024 the band released their single ‘Bastion’.  This was followed by another single ‘At Earliest Dawn’, released on May 31st, 2024. The second full length album is set to be released on August 9th, 2024.  Entitled ‘In the Name of the Goddess’, it will consist of eight tracks, including the singles released earlier this year.   1.       Mouth of the Wind 2.       Bastion 3.       Anna Perenna 4.       The Maymuna Stone 5.       Oracle Chamber 6.       At Earliest Dawn 7.       Calypso 8.       For the Son of Bat, the King   This is another rendering to Maltese history and mythology.  It’s a fascinating way to make history known through extreme, yet beautiful music.  The magnificent bay of Fomm ir-Riħ ; the island’s unassailable bastions, dating back to the period of the Knights of St. John; Anna Perenna and the last track ‘For the Son of Bat, the King’, both have connections to Malta through Virgil’s Aeneid.; the Maymuna Stone, a beautiful 12th century tombstone found in Gozo; the mysterious underground burial place of the Hypogeum , with its magnificent Oracle Chamber; At earliest dawn is a translation of Ogygian (Calypso’s island) and Calypso is all about the nymph, that had her adobe on the island of Gozo.   Well, if you want to learn about the fascinating history of Malta and are allergic to books, here is your chance, courtesy of Mnajdra.   Make sure to visit the band’s bandcamp page https://mnajdra.bandcamp.com/  and help support this project by buying Mnajdra’s music and merch.

Some weeks ago, melodija.eu featured a couple of articles highlighting the illustrious career of Toni Sant and his numerous accomplishments over the years. One of his most significant and enduring achievements is the television program Mill-Garaxx. The following article is derived from a piece written by Toni Sant himself in 2020, reflecting on this groundbreaking program. During the 1980s, live music was a rarity on the sole Maltese television station, Television Malta. While orchestral performances or solo acts accompanied by a piano were common, rock bands performing live were almost nonexistent. Instead, bands would mime their performances to pre-recorded tracks on popular shows like TeleDisco, Sibtijiet Flimkien, Bonġu Malta, and Arzella. When Toni Sant began working at Xandir Malta and producing programs regularly for Radju Malta, he frequently discussed with his friend Mario Ellul the possibility of introducing live rock music to Television Malta studios. Sant and Ellul had known each other since their days at the New Lyceum, where they both studied Maltese, English, and Philosophy. Mario Ellul had joined TeleMalta before Sant with an aim to work with Television Malta where he eventually became a director and producer of various programs. Ellul was also the lead singer of Fog, a popular band among university students. Sant, too, was active in the music scene, performing with bands like Structure and Artwork in the 1980s. He later joined what remained of Fog in the early 1990s, primarily for theatrical productions by the MADC. Together with colleagues Ray Bajada and Alfie Fabri, Sant and Ellul began designing a television series named Mill-Garaxx. However, shortly after commencing work on the series, Bajada and Fabri were suspended from all Xandir Malta programs due to a controversial radio program they produced that discussed personal cannabis use with language deemed inappropriate for broadcasting at the time. Despite this setback, Sant and Ellul, as regular employees of Xandir Malta, continued developing the Mill-Garaxx program with a different team. They privately supported Bajada and Fabri, despite the taboo nature of the subject at the time. The leaders of Maltese society were far more hypocritical back then, and censorship was much stronger, even though there was a push towards modernity and progressiveness in certain aspects. The primary goal of Mill-Garaxx was to feature musicians playing rock live in the Television Malta studio in Gwardamangia. However, the program also incorporated regular discussions about societal issues in Malta. These discussions, necessary in a politically charged environment, were conducted with great seriousness and balance by Joseph Debono, who later gained fame as a comic and satirical character on Xarabank. Thanks to Debono's handling, the program avoided trouble despite its controversial topics. Mill-Garaxx lasted only about three months. A year later, Sant and his team produced another series, Mill-Garaxx 2, which revisited the musicians from the first series to see their progress. Bands featured in the Mill-Garaxx series included Acid, Big Foot, Ivory Cross, Freeway, The Ophidian Twin, Men and White, Flying Alligators, Catch 22, Fallout, and Winter Moods with Mark Doneo as the singer. Aidan Zammit Lupi also performed live solo, and Sant himself sang live with a group of musicians including Antoine Bonnici Soler (piano), Philip Fenech (guitar), Joe Carr (percussion and vocals), Walter Vella (saxophone), Gino Mifsud (electric bass), and Louis Naudi (drums). Tragically, Mifsud, Naudi, and Ellul passed away at a young age, and Sant fondly remembers them regularly. Reflecting on the program, Sant acknowledges that much of the material was relatively ordinary in quality. Nostalgia often enhances the perception of their work, making it seem better than it might have been at the time. However, what Sant cherishes most from the Mill-Garaxx series is not the live music but the opening theme music by Charles Dalli and the digital graphics created with Chris Agius and Mike Rizzo. In one of the earliest attempts at Maltese rap, Charlie Dalli penned a verse that Sant considers one of the most beautiful in Maltese popular music: "How beautiful is that dream of one day touching the stars, but all value disappears if everything I touch turns to gold."

Dean Montanaro, a dynamic and versatile musician, has carved a niche for himself in the world of jazz and beyond. Born and raised in Malta, Montanaro's journey in music began early, fuelled by a passion that saw him transitioning from the vibrant rock and heavy metal scenes of his homeland to the sophisticated and complex realms of jazz and improvisation. Montanaro's musical journey began in his teenage years when he played rock and heavy metal in dark garage complexes across Malta. His significant early stint was with the progressive rock band Colourblind. With Colourblind, Montanaro experienced a formative period that included numerous live performances. Notably, on his 18th birthday with Colourblind, he played at The Farsons Beer Festival and, catching a flight just hours later with the band to perform at the Aya Napa Youth Festival in Cyprus. Followed later on (in 2014) with another performance in Sweden with Angela Vella Zarb (Swing Nuages and Blue Tangerine), who was sharing vocal duties with Paul Sky at the time. This period of intense activity and exposure to live audiences set the foundation for Montanaro’s professional career and deepened his love for performance and collaboration. Montanaro’s formal education in music is a testament to his dedication and pursuit of excellence. He embarked on his higher education journey at Codarts Rotterdam in 2017, where he pursued a Bachelor of Music in jazz electric bass. His time at Codarts was marked by academic excellence, culminating in a cum laude graduation in 2021. During his undergraduate studies, he also spent an Erasmus exchange semester at ESMUC Barcelona, a period that enriched his musical outlook and exposed him to diverse influences. In 2021, Montanaro continued his academic pursuits at the Conservatorium van Amsterdam, where he undertook a Master of Music in jazz electric bass. His master's degree, completed in 2023 with an outstanding final score of 9.5/10, further solidified his expertise and artistry. Throughout his academic journey, Montanaro had the privilege of studying under some of the most renowned bass teachers, including Gary Willis, Glen Gaddum, Mario Rossy, Jeroen Vierdag, Theo de Jong, Alessandro Fongaro, and Ruud Ouwehand. His education was not limited to performance; he also studied composition with acclaimed teachers such as Reinier Baas, Stefan Lievestro, Oscar van Dillen, and Amit Gur. Montanaro’s career is marked by a blend of performance, recording, and teaching. As a performer, he has been a fixture on the international jazz scene, gracing stages at prestigious festivals and venues. His notable performances include appearances at the Malta Jazz Festival, the November Music Festival in Den Bosch, the Düsseldorfer Jazz Rally, and the North Sea Jazz Festival. He has toured extensively, performing in Paris, Austria, Slovenia, Croatia, Dubai, and more, collaborating with a diverse array of artists and ensembles. In addition to his performance career, Montanaro has a rich discography that showcases his versatility and creativity. His recordings span various genres and styles, reflecting his eclectic musical tastes. Notable recordings include "First Impression" with Antares Flare, "Inner Scars" with BRiMBA, "Santuário and Barra do Ribeiro" with Plankton Orchestra featuring Yamandu Costa, and many others. His projects often push the boundaries of conventional jazz, incorporating elements of electronic music, afro-beat, and improvisational experimentation. Montanaro's teaching career is equally impressive. He has been teaching privately for over six years, working with students ranging from beginners to advanced levels and spanning a wide age range. His approach to teaching is informed by his extensive performance experience and academic training, allowing him to offer a comprehensive and nuanced perspective to his students. One of the defining aspects of Montanaro’s career is his commitment to collaboration and innovation. He is actively involved in several bands, including Antares Flare, a psychedelic afro-beat jazz outfit; Su Nichel, an eclectic jazz collective with ethnic and folk influences; and Mipa & the Best Language Ever, a unique collaboration between musicians and a literary artist. Each of these projects reflects Montanaro’s ability to blend different musical elements and create something uniquely his own. In addition to his performance career, Montanaro has a rich discography that showcases his versatility and creativity. His recordings span various genres and styles, reflecting his eclectic musical tastes. Notable recordings include "First Impression" with Antares Flare, "Inner Scars" with BRiMBA, "Santuário and Barra do Ribeiro" with Plankton Orchestra featuring Yamandu Costa, and many others. His projects often push the boundaries of conventional jazz, incorporating elements of electronic music, afro-beat, and improvisational experimentation. Montanaro's teaching career is equally impressive. He has been teaching privately for over six years, working with students ranging from beginners to advanced levels and spanning a wide age range. His approach to teaching is informed by his extensive performance experience and academic training, allowing him to offer a comprehensive and nuanced perspective to his students. One of the defining aspects of Montanaro’s career is his commitment to collaboration and innovation. He is actively involved in several bands, including Antares Flare, a psychedelic afro-beat jazz outfit; Su Nichel, an eclectic jazz collective with ethnic and folk influences; and Mipa & the Best Language Ever, a unique collaboration between musicians and a literary artist. Each of these projects reflects Montanaro’s ability to blend different musical elements and create something uniquely his own. As Montanaro looks to the future, his focus remains on innovation and collaboration. He is set to release three albums in 2024 with different acts, further showcasing his versatility and creative vision. His ongoing projects, including new material with Brimba, who shall return on stage at Offbeat on the 2nd August, promise to bring fresh and exciting music to his audience. Dean Montanaro’s journey in music is a testament to his passion, dedication, and relentless pursuit of excellence. His ability to blend diverse musical influences, coupled with his commitment to collaboration and innovation, make him a unique and influential figure in the world of jazz and beyond. As he continues to explore new artistic horizons, Montanaro’s contributions to music promise to inspire and captivate audiences for years to come.

The 5th Annual Rock for Richmond Fundraising Concert Richmond Foundation's much-anticipated fundraising event, Rock for Richmond, returns for its fifth edition on Saturday, August 17th. This year promises to be an unforgettable evening filled with electrifying live performances from some of the finest local bands and musical acts. Doors open at 7:30 PM, and the event is expected to draw a supportive community eager to enjoy great music and contribute to a worthy cause. The stellar lineup for this year's concert includes the dynamic performances of Brodu, the high-energy Dolls For Idols, the infectious beats of Bark Bark Disco, the soulful voice of Stephanie Sant, and an exciting DJ set by Espionage. Each act brings a unique style and energy, ensuring a night of diverse and captivating entertainment. Rock for Richmond is not just about the music; it's about making a difference. The Richmond Foundation, a dedicated organization supporting individuals experiencing mental health challenges, benefits greatly from the funds raised at this event. The foundation provides a wide range of services, including therapeutic care, support groups, assisted living solutions, educational programs, and counseling services. Their mission is to equip individuals with the skills necessary to live and work independently, fostering a supportive community around mental health. This year's concert aims to surpass previous editions, both in terms of the funds raised and the awareness generated for mental health issues. Attendees will have the opportunity to enjoy top-tier musical performances while contributing to the essential services provided by the Richmond Foundation. As anticipation builds, tickets are expected to sell out quickly. Be sure to secure your spot for an evening of great music, community spirit, and meaningful impact. Join us on August 17th for Rock for Richmond and be a part of a night that truly makes a difference. Tickets can be bought from here Valletta Cultural Agency Presents: Unmissable Musical Events in the Heart of the Capital Opera in the Capital: A Majestic Evening of Vocal Mastery Valletta, Malta - The much-anticipated Opera in the Capital concert is set to enchant audiences once again at St George's Square on August 30th, beginning at 9pm. This beloved event promises an evening filled with the enchanting power of operatic arias and ensembles, showcasing the extraordinary capabilities of the human voice. This year, tenors Alan Sciberras and Cliff Zammit Stevens, along with soprano Nadia Vella, will grace the stage. They will be accompanied by the esteemed Malta Philharmonic Orchestra, under the expert baton of Maestro Michael Laus. Tickets for this extraordinary event are now available for purchase on showshappening.com . The concert will feature an array of emotionally charged arias, including "La fleur que tu m’avais jetée" from Bizet’s Carmen  and "È la solita storia del pastore" from Cilea’s L’Arlesiana . These pieces will contrast beautifully with the dramatic fervor of "Donna non vidi mai" from Puccini’s Manon Lescaut . The repertoire also includes the sublime melodies of Louiguy’s "La vie en rose", Lehár’s "Lippen Schweigen" from The Merry Widow , Gounod’s "Je veux vivre" from Roméo et Juliette , and Lloyd Webber’s "All I Ask of You" from The Phantom of the Opera , ensuring a diverse and spectacular musical experience. Additionally, the concert will feature the beloved Maltese song "Xemx" and Zammit Stevens’ "Fil-Qrib", with their heartfelt lyrics and evocative melodies, contributing to an unforgettable evening for both performers and audience members. Opera in the Capital aims to transport its audience through the power of music, all set against the stunning backdrop of Valletta's historic architecture. This event celebrates both the art of music and the unique cultural heritage of Valletta. Other Upcoming Events by Valletta Cultural Agency Strait to the Blues: A Blues Spectacle In its third year, the Strait to the Blues event has cemented its status as the quintessential Blues showcase. Led by the powerful Blues trio, Vinyl Paradise, and featuring an impressive lineup of guest vocalists and musicians, this event will traverse the entire spectrum of Blues. From original compositions to Delta Blues, Chicago Blues, Crossover Blues, Blues-Rock, and Texas Blues, this edition promises a rich and diverse musical journey, enhanced by international guest artists. Location:  Strait Street between Melita Street and St John Street Entrance:  Free Date:  Saturday, October 12th at 97 Notes, Valletta Organized by:  Strada Stretta and Valletta Cultural Agency. Definitely Dylan: A Tribute to a Musical Legend Definitely Dylan is a musical homage to the Nobel laureate and singer/songwriter extraordinaire, Bob Dylan. Local musician Dario Genovese, accompanied by his band and a lineup of diverse guests, will orchestrate a tribute that delves into the enduring genius of Dylan's repertoire. Join us for an unforgettable exploration of the profound impact of one of music's greatest storytellers. Entrance:  Free The Valletta Cultural Agency continues to celebrate and promote the rich cultural tapestry of Valletta through these outstanding events, offering something for every music lover to enjoy. Aleandro Spiteri Monsigneur Completes Film Scoring Milestone with 'I Wish I Never Existed' Rising musician and composer Aleandro Spiteri Monsigneur has recently added a significant achievement to his musical repertoire. The 25-year-old artist took to his Facebook page to announce the completion of his first film score for the movie I Wish I Never Existed, created by Difyrent and starring Zoe Colletti and Patrick Lyster. "Ticked filmscoring off my bucket list thanks to I Wish I Never Existed," Aleandro posted. "I’ve worked on this score almost every day for the past nine months, making sure every sound and every note in there is serving the right intention. Filmscoring really is a different beast." Aleandro, born on June 9, 1999, has made a name for himself in the local music scene as a versatile keyboardist for the award-winning band Red Electric. His involvement in various projects as a session musician, songwriter, and recording artist has further established his reputation as a multifaceted musician. Reflecting on his collaboration for the film score, Aleandro expressed gratitude to his colleagues Dylan Odom and Maria Grech, highlighting the synergy that transformed their collective efforts into something extraordinary. He also acknowledged the contributions of Adam Ryan, Matt Barnes for mixing the score, and Zino Mikorey for mastering. "A special thank you goes to everyone who contributed ideas and inspiration," Aleandro added. Fans of Aleandro can now enjoy a portion of the score he composed for I Wish I Never Existed on Spotify , marking his debut in the world of film music. Aleandro's journey in music began during his teenage years with a foundation in classical music, which he soon expanded to encompass various genres and techniques. His talents were first showcased on a large scale at the age of sixteen during the Jarocin Festival in Poland, where he performed with Red Electric. The band has since celebrated a decade of performances and continues to make strides in the international music scene, collaborating with multi-platinum producer Nicolas Farmakalidis in Los Angeles. Beyond his work with Red Electric, Aleandro has pursued numerous solo projects. In 2015, he composed the film score for Case at Riddle Crossing, an international feature film shot in Tennessee. His chorale Coniuncti Concidimus, Dividuui Accidimus has been performed by local choirs and was featured in a one-time exclusive arrangement for string quartet in Vienna during the European Youth Orchestra's 2016 Summer Tour. Aleandro also regularly collaborates with local artists, contributing to songs that frequently top local charts. Aleandro's latest venture into film scoring represents a significant milestone in his career, underscoring his diverse talents and dedication to his craft. With his recent achievement in I Wish I Never Existed, Aleandro Spiteri Monsigneur continues to cement his status as one of Malta's most promising and dynamic musical talents.

Atlam, was formed in 1978 by Charles Saliba and his twin brothers, Lizio and Stephen Saliba, in their hometown of Ħaż-Żabbar. Initially, the band performed at local events, gradually expanding their repertoire and influence. With the addition of their cousin, Charles Galea, the band's lineup solidified: Charles on guitars and vocals, Lizio on bass and backing vocals, Stephen on drums, and Charlie on keyboards and backing vocals. Atlam's music was deeply influenced by the rock and roll and pop sounds of the 1960s. Their performances featured covers of iconic bands such as The Beatles, Elvis Presley, The Rolling Stones, The Hollies, Creedence Clearwater Revival, and The Shadows. This homage to the sixties helped them build a local fan-base, playing almost every weekend at weddings, bars, and community events. The band began to compose their own material, with most songs written by Charles and Lizio, and contributions from the other members. Their first record, F’Imħabba w fis-Sliem, was recorded at LJR Studio in Żabbar. Inspired by their friend Tony Mugliette, they transformed their practice space into a recording studio. During this time, they recorded several tracks, including Atlam (an instrumental), Kemm Nixtieq, Ninsab il-bogħod, Lilek Irrid, Ġrajja ta’ Sajjied, and Tfajla ta’ qalbi. These songs, reflecting their sixties rock and ballad influences, were released on a cassette titled Imħabba w Sliem around 1982. As their musical style evolved, Atlam began experimenting with harder rock sounds influenced by bands like Black Sabbath, Deep Purple, and Led Zeppelin. This shift was marked by the addition of Tony Mugliette as a vocalist, transforming Atlam into a rock band. Their new style debuted at a three-day rock festival at il-Marsa grounds, followed by a performance at the Ta’ Qali Music Festival. Songs like The End of the World, Ghost Rider, and Desperate Life became staples in their set-list. The departure of Tony Mugliette led to the recruitment of Silvio Bonnici, whose high-pitched vocals inspired new compositions. Atlam's cover versions of Led Zeppelin and their medley Stars of Sabbath, featuring Black Sabbath hits, became crowd favorites. The band's lineup at this time included Silvio Bonnici on vocals, Charles Galea on keyboards, Lizio Saliba on bass and backing vocals, Stephen Saliba on drums, and Charles Saliba on guitars and backing vocals. Their most memorable concert occurred on July 9, 1983, during a Rokarja AST gig at the Tigne Chapel, where Stars on Sabbath had to be performed three times due to popular demand. To differentiate between their commercial pop side and their rock persona, the band adopted a dual identity. They continued to perform as Atlam for weddings and other events while their rock performances were under the name V-Gile, with Ralph Camilleri as their manager. V-Gile's first notable performance was a Rock Mass at The Stones Discotheque, featuring music composed by Charles Saliba and lyrics by Josette Micallef. This mass was also performed at the Birkirkara Parish Church. Parallel to their performances, V-Gile worked on a rock opera titled Victims, written by Lawrence Micallef. The opera, which aimed to raise awareness about drug abuse, was partially performed at various cultural events but never fully staged due to production challenges. Despite attempts to collaborate with Caritas, disagreements over the opera's title halted its full realisation. The band's lineup saw changes over the years, with Anton Scicluna replacing Lizio on bass and Edward Mifsud joining on guitars and vocals. Charles Galea left the band due to work commitments. Atlam continued to perform at venues like Jerma Palace and Corinthia, with a consistent presence at an open-air restaurant in Rabat. From 1995 onwards, performances by Atlam and V-Gile became occasional, with Charles and Stephen remaining the core members. Charles kept the band's legacy alive, performing in Libya and notably headlining a concert for the Commonwealth countries in 2009 alongside German and British bands. Atlam participated in tribute concerts, including “Ir-Rock It-Tajjeb” in 2016 and a performance at SixteenSeven Sports Bar & Grill in 2019. Their journey from a local band playing sixties covers to a prominent rock act reflects their adaptability and enduring appeal, cementing their place in Malta's musical history. References and photos: M3P - Malta Media Memory Preservation

Atmospheric indie band Eyes to Argus have just released their third full-length album, Reroot  (official release date: 19th July) and it’s available to stream on all streaming services . Once more, Eyes to Argus worked with record label Post. Recordings  (Indianapolis, US) and the album was pressed on vinyl as a limited run, which is available through Bandcamp . On Reroot, Eyes to Argus have a different energy compared to their 2021 album, in habit . The songs are more charged, more concise, and catchier than ever before. Yet, this is still an Eyes to Argus album through and through, and the band’s signature take on indie, shoegaze, and post-rock is on full display. Reroot  is about the trajectory of entering a new decade and getting used to the way it feels. It’s about moving into the next phase of your life with newfound energy and drive, all the while grappling with inevitable fatigue and burnout along the way. It’s the same state of flux that Eyes to Argus went through when they wrote and recorded Reroot , with all members either traversing or fast approaching their thirties and coming face to face with the whirlwind of experiences that this brings – building new families, finding new homes, losing loved ones, and welcoming new life into the world. Prior to the full album release, Eyes to Argus dropped two singles from Reroot  – Bloodstream Waterfall Cannonball , which was featured on WherePostRockDwells, and  Your Piece . https://www.youtube.com/watch?v=0eqZtG7bpTo https://www.youtube.com/watch?v=p0YR7vjkXFA   Bloodstream Waterfall Cannonball  is the opening track on Reroot , setting the tone of the album with an affirmative energy that waxes and wanes until the closing track Lifelift , which discovers affirmation beyond the self through the cycle of life, death, and life again.  The artwork for Reroot  was created by Samwel Mallia using photographic elements by Elisa von Brockdorff and textures from Sam Falzon (Bainmarie).  The vinyl release includes an exclusive map of the World of Reroot – featuring terrain, landmarks, and characters inspired by the themes and lyrics on the album. As part of the album’s release cycle, Eyes to Argus are currently playing a run of shows along the Midwest, concluding with a festival appearance on the 27th of July at Post. Festival  (Indianapolis), which this year features monumental names in the post-rock scene such as This Willl Destroy You, Caspian, And So I Watch You From Afar, The Ocean, If These Trees Could Talk, and many more.  Listen to Reroot // Order the album on vinyl → https://eyestoargus.bandcamp.com/album/reroot

Cher Camilleri Drops New EP 'Naddatta' on All Streaming Platforms Renowned for her eclectic fusion of electronic sounds and striking visual artistry, Cher Camilleri has officially released her highly anticipated EP, 'Naddatta.' The five-track collection is now available on all major streaming platforms, promising to deliver a fresh wave of immersive listening experiences. The EP, released under the Ultralow Music label, showcases Camilleri's multifaceted talent as an electronic singer, songwriter, producer, graphic designer, videomaker, and editor. Each track is a testament to her innovative approach to music and art, blending rich electronic textures with her unique vocal style. Production credits for 'Naddatta' include Jimmy Bartolo, who skillfully produced and mixed the tracks, and James Aparicio, who mastered the EP, ensuring top-notch sound quality. The promotional efforts were spearheaded by Neo Borg Bonaci, with props designed by Matthew Pandolfino, adding a visual flair that complements Camilleri's auditory aesthetic. Fans can get a taste of 'Naddatta' through a promo clip circulating on social media, which offers a glimpse into the EP's vibrant and dynamic world. To dive into the full experience, listeners can stream the EP on Spotify via the following link: Spotify link . Cher Camilleri continues to push the boundaries of electronic music, and 'Naddatta' is a shining example of her artistic evolution. With her latest release, she invites fans old and new to explore the depths of her creative vision. Reeferfest 2024: A Blaze of Stoner Metal With Three International Bands Last year, REEFERFEST presented four bands, featuring the incredible OMEGA SUN from Slovenia, making the third edition an unforgettable experience. This year, the festival is raising the bar by including three foreign bands in the four-band lineup. The local band on the night is Hemplifier, formed in 2021 by Bazaz (Lady Lizard) on bass, Dino Mifsud Lepre (Pilgrimage, Victims of Creation) on drums and samples, and Emanuel Portelli (Akem Manah, Animamortua, Thy Legion, Victims of Creation) on guitars and vocals. Hemplifier released their debut album, The Stone Side Of The Doom , on June 2nd, 2023, through Electric Valley Records. Joining them from Belgium is Witch Piss, formed in Mechelen, Antwerp, in 2022. The band features Glenn Van Bael on bass, Dennis Lefebvre on drums, Andoni Lombide Carreton and Stijn Georges Moens on guitars, and Peter Egberghs on vocals. Their self-titled debut album was released on April 7th, 2023, on Saturni Records. Representing the Netherlands, Ditch hails from The Hague. The band consists of Douwe de Wilde on vocals and bass, Eric Hazebroek on guitars, and Alexander de Goede on drums. Their notable releases include Boca do Inferno  (2014) and Coldfoot, Alaska  (2021). Belzebong, from Kielce, Świętokrzyskie, Poland, has been a prominent name in the stoner doom scene since their formation in 2008. The current lineup includes Rafał Łagowski on bass, Alky Dude and Piotr Sadza on guitars, and Stanisław Malanowicz on drums. Their discography boasts several releases, including Demo  (2009), Sonic Scapes & Weedy Grooves  (2011), Dungeon Vultures EP  (2013), Greenferno  (2015), Light the Dankness  (2018), and De Mysteriis Dope Sathanas - Live in Oslo  (2021). The event will be hosted by DJ Noel Mifsud and it will be held at The Garage, Ħaż Żebbuġ, Malta, with doors opening at 19:30. Tickets are priced at €20. To reserve your tickets, contact Hemplifier or Emanuel Portelli, or pay by Revolut on 99802413. It is crucial to include ticket holder names and ID card numbers in the payment description. For more information, visit the event page: Reeferfest 2024 . Don't miss out on this electrifying night of heavy music, featuring a mix of local talent and international acts. Get your tickets now and be part of Malta's most exciting music festival! Drowning Sorrows to Launch "Prom Night Massacre" Tour at Muddy Waters, Malta This Saturday, July 20th, rock enthusiasts in Malta are in for a treat as Drowning Sorrows kicks off the first show of their "Prom Night Massacre" tour at Muddy Waters. The event promises an electrifying evening, starting at 8:30 PM, and will feature two sets comprising 20 classic rock 'n' roll hits along with a selection of Drowning Sorrows' original tracks. In addition to the live music, fans attending the shows will have the chance to participate in a thrilling raffle. Prizes include Pin Badges, Stickers, T-Shirts, and drinks courtesy of the band. Each ticket purchased grants an entry into the grand prize raffle, with the final draw set for October 26th. The grand prize winner will receive a special hand-crafted piece of Drowning Sorrows memorabilia, making it a highly anticipated conclusion to the tour. Drowning Sorrows' "Prom Night Massacre" tour will continue with performances across Malta until the end of October, ensuring that rock 'n' roll aficionados have multiple opportunities to experience their dynamic shows and potentially walk away with unique prizes. Mark your calendars and make sure to arrive early to Muddy Waters this Saturday for an unforgettable night of rock music and exciting giveaways! Community Rallies for MMPAC Fundraising Event This Weekend A vibrant fundraising event is set to take place this weekend, aiming to support the Malta Music and Performing Arts Complex (MMPAC.mt). The event promises an array of captivating performances from local artists, all dedicated to the mission of creating a new creative arts complex in Malta. The event will feature a talented lineup of performers, showcasing the best of Malta’s artistic community. These artists are not only sharing their talents but also lending their support to the cause, helping to bring the vision of a thriving creative space to life. Saturday’s Performances: Hannah Matthew / Jean Aquilina / Taxi Vaders Sunday’s Performances: Estaban Medusa / Open Jam Session The organizers emphasize that community support is crucial for the success of this initiative. Attendees will have the opportunity to enjoy outstanding music, learn more about the MMPAC.mt project, and contribute to a cause that aims to enrich Malta’s cultural landscape. “Your presence and support will make a significant impact,” stated a spokesperson for MMPAC.mt. “Come enjoy the music, learn more about our project, and be a part of this exciting journey. Let's create something amazing together!” The fundraising event promises not only to entertain but also to inspire, fostering a sense of community and shared purpose. All are welcome to join this weekend and contribute to the creation of a vibrant new space for the arts in Malta.

Longevity of radio programmes, dedicated to rock and/or metal in Malta, is not the rarest of occurrences, as some programmes have graced the air for quite a few years. Such as the now defunct Grinta, on air for 18 years, Rock Express on air for more than 22 years, both brainchildren of Brian Micallef and Rockna, hosted by Michael Bugeja, on air for the 14 years this year (2024), just to mention a few. Rock Moods, hosted by Noel Mifsud, will be reaching the 15-year milestone of airing on ONE Radio. The programme was the brainchild of Joe Tanti and aired for a few years on Bay Radio prior to the DJ moving to ONE Radio in 2009. Marc, the son of Joe Tanti, co-hosted the show. Noel Mifsud was asked to be part of the programme as soon as it started airing on One Radio. Both father and son then moved on, Joe to host other shows, while his Marc went on to continue with his studies. Since then Noel Mifsud hosts one of the island’s iconic rock shows with Joe’s blessing. For a brief period, Noel was joined by Lito (R.I.P.) till the summer of 2011. Since 2011 Rock Moods was rebranded to cover solely Maltese talent. At a point in time local talent was aired live on the programme. Since then, Rock Moods has been regular every week on ONE Radio. The show is also available on melodija.eu . Rock Moods is one of the few avenues for local rock and metal bands and artists to air their music, make their voices heard and their events promoted. It is also a haven for promoters to make their events known to the listeners. Thank you Noel for your service.